Scarlet Sails on Neva, May 25, in St. Petersburg. A holiday for all graduates full of spectacle climaxed by the appearance of the Scarlet Sails.

Scarlet Sails (Also translated as "Crimson Sails")
By Alexander Grin
1922 Petrograd (St. Petersburg)

I. THE PROPHESY

Longren, a sailor of the Orion, a rugged, three-hundred ton brig on which he had served for ten years and to which he was attached more strongly than some sons are to their mothers, was finally forced to give up the sea.

This is how it came about. During one of his infrequent visits home he did not, as he always had, see his wife Mary from afar, standing on the doorstep, throwing up her hands and then running breathlessly towards him. Instead, he found a distraught neighbour woman by the crib, a new piece of furniture in his small house.

"I tended her for three months, neighbour," the woman said. "Here's
your daughter."
Longren's heart was numb with grief as he bent down and saw an
eight-month-old mite peering intently at his long beard. Then he sat down,
stared at the floor and began to twirl his moustache. It was wet as from the
rain.
"When did Mary die?" he asked.
The woman recounted the sad tale, interrupting herself to coo fondly at
the child and assure him that Mary was now in Heaven. When Longren learned
the details, Heaven seemed to him not much brighter than the woodshed, and
he felt that the light of a plain lamp, were the three of them together now,
would have been a joy unsurpassed to the woman who had gone on to the
unknown Beyond.
About three months previously the young mother's finances had come to
an abrupt end. At least half of the money Longren had left her was spent on
doctors after her difficult confinement and on caring for the newborn
infant; finally, the loss of a small but vital sum had forced Mary to appeal
to Menners for a loan. Menners kept a tavern and shop and was considered a
wealthy man. Mary went to see him at six o'clock in the evening. It was
close to seven when the neighbour woman met her on the road to Liss. Mary
had been weeping and was very upset. She said she was going to town to pawn
her wedding ring. Then she added that Menners had agreed to lend her some
money but had demanded her love in return. Mary had rejected him.
"There's not a crumb in the house," she had said to the neighbour.
"I'll go into town. We'll manage somehow until my husband returns."
It was a cold, windy evening. In vain did the neighbour try to talk the
young woman out of going to Liss when night was approaching. "You'll get
wet, Mary. It's beginning to rain, and the wind looks as if it will bring on
a storm."
It was at least a three hours' brisk walk from the seaside village to
town, but Mary did not heed her neighbour's advice. "I won't be an eyesore
to you any more," she said. "As it is, there's hardly a family I haven't
borrowed bread, tea or flour from. I'll pawn my ring, and that will take
care of everything." She went into town, returned and the following day took
to her bed with a fever and chills; the rain and the evening frost had
brought on double pneumonia, as the doctor from town, called in by the
kind-hearted neighbour, had said. A week later there was an empty place in
Longren's double bed, and the neighbour woman moved into his house to care
for his daughter. She was a widow and all alone in the world, so this was
not a difficult task. "Besides," she added, "the baby fills my days."

Longren went off to town, quit his job, said goodbye to his comrades
and returned home to raise little Assol. The widow stayed on in the sailor's
house as a foster mother to the child until she had learned to walk well,
but as soon as Assol stopped falling when she raised her foot to cross the
threshold, Longren declared that from then on he intended to care for the
child himself and, thanking the woman for her help and kindness, embarked on
a lonely widower's life, focusing all his thoughts, hopes, love and memories
on the little girl.

Ten years of roaming the seas had not brought him much of a fortune. He
began to work. Soon the shops in town were offering his toys for sale,
finely-crafted small model boats, launches, one and two-deck sailing
vessels, cruisers and steamboats; in a word, all that he knew so well and
that, owing to the nature of the toys, partially made up for the hustle and
bustle of the ports and the adventures of a life at sea. In this way Longren
earned enough to keep them comfortable. He was not a sociable man, but now,
after his wife's death, he became something of a recluse. He was sometimes
seen in a tavern of a holiday, but he would never join anyone and would down
a glass of vodka at the bar and leave with a brief: "yes", "no", "hello",
"goodbye", "getting along", in reply to all his neighbours' questions and
greetings.

He could not stand visitors and would get rid of them without
resorting to force, yet firmly, by hints and excuses which left the former
no choice but to invent a reason that prevented them from remaining further.
He, in turn, visited no one; thus, a wall of cold estrangement rose up
between him and his fellow-villagers, and if Longren's work, the toys he
made, had depended in any way on village affairs, he would have felt most
keenly the consequences of this relationship. He bought all his wares and
provisions in town, and Menners could not even boast of a box of matches he
had sold to Longren. Longren did all his own housework and patiently learned
the difficult art, so unusual for a man, of rearing a girl.

Assol was now five, and her father was beginning to smile ever more
gently as he looked upon her sensitive, kind little face when she sat in his
lap and puzzled over the mystery of his buttoned waistcoat or sang sailors'
chants, those wild, wind-blown rhymes. When sung by a child, with a lisp
here and there, the chants made one think of a dancing bear with a pale blue
ribbon around its neck. At about this time something occurred that, casting
its shadow upon the father, shrouded the daughter as well.

It was spring, an early spring as harsh as winter, but still unlike it.
A biting North off-shore wind whipped across the cold earth for about three
weeks.

The fishing boats, dragged up onto the beach, formed a long row of dark
keels which seemed like the backbones of some monstrous fish on the white
sand. No one dared to venture out to sea in such weather. The single village
street was deserted; the cold whirlwind, racing down from the hills along
the shore and off towards the vacant horizon, made the "open air" a terrible

torture. All the chimneys of Kaperna smoked from dawn till dusk, shaking the
smoke out over the steep roofs.

However, the days of the fierce North wind enticed Longren out of his
cozy little house more often than did the sun, which cast its coverlets of
spun gold over the sea and Kaperna on a clear day. Longren would go to the
very end of the long wooden pier and there he would smoke his pipe at
length, the wind carrying off the smoke, and watch the sandy bottom, bared
near the shore when the waves retreated, foam up in grey froth that barely
caught up with the waves whose rumbling progress towards the black, stormy
horizon filled the space between with flocks of weird, long-maned creatures
galloping off in wild abandon to their distant point of solace. The moaning
and the noise, the crashing thunder of the huge, upthrusted masses of water
and the seemingly visible currents of wind that whipped across the
vicinity--for so forceful was its unhampered course -- produced that
dulling, deafening sensation in Longren's tortured soul which, reducing
grief to undefin-able sadness, is equal in its effect to deep slumber.

On one such day Menners' twelve-year-old son Hin, noticing that his
father's boat was being buffeted against the piles under the pier and that
its sides were becoming battered, went off to tell his father of this. The
storm had but recently begun; Menners had forgotten to pull his boat up on
the sand. He hurried to the beach where he saw Longren standing at the end
of the pier with his back to him, smoking. There was not another soul in
sight. Menners walked halfway along the pier, climbed down into the wildly
splashing water and untied his boat; then, standing upright in it he began
moving towards the shore, pulling himself along from one pile to the next.

He had forgotten his oars, and as he stumbled and missed his hold on the
next pile, a strong gust of wind pulled the prow of his boat away from the
pier and towards the ocean. Now Menners could not have reached the nearest
pile even if he had stretched out to his full length. The wind and the
waves, rocking the boat, were carrying it off into the distance and doom.
Menners realized his predicament and wanted to dive into the water and swim
ashore, but this decision was too late in coming, for the boat was now
spinning about near the end of the pier where the considerable depth and
raging waves promised imminent death. There were only about twenty meters
between Longren and Menners, who was being swept off into the stormy
distance, and a rescue was still possible, for a coiled rope with a weighted
end hung on the pier beside Longren. The rope was there for any boat that
might land during a storm and was thrown to the boat from the pier.

"Longren!" Menners cried in terror. "Don't just stand there! Can't you
see I'm being carried away? Throw me the line!"

Longren said nothing as he gazed calmly upon the frantic man, although
he puffed harder on his pipe and then, to have a better view of what was
happening, removed it from his mouth.

"Longren!" Menners pleaded. "I know you can hear me. I'll be drowned!
Save me!"

But Longren said not a word; it seemed as though he had not heard the
frantic wail. He did not even shift his weight until the boat had been
carried so far out to sea that Menners' word-cries were barely audible.
Menners sobbed in terror, he begged the sailor to run to the fishermen
for help; he promised him a reward, he threatened and cursed him, but all
Longren did was walk to the very edge of the pier so as not to loose the
leaping, spinning boat from view too soon.

"Longren, save me!" The words came to him as they would to someone
inside a house from someone on the roof.
Then, filling his lungs with air and taking a deep breath so that not a
single word would be carried away by the wind, Longren shouted: "That's how
she pleaded with you! Think of it, Menners, while you're still alive, and
don't forget!"

Then the cries stopped, and Longren went home. Assol awakened to see
her rather sitting lost in thought before the lamp that was now burning low.
Hearing the child's voice calling to him, he went over to her, kissed her
affectionately and fixed the tumbled blanket.

"Go to sleep, dear. It's still a long way till morning," he said.
"What are you doing?"

"I've made a black toy, Assol. Now go to sleep."

The next day the village buzzed with the news of Menners'
dissappearance. Five days later he was brought back, dying and full of
malice. His story soon reached every village in the vicinity. Menners had
been in the open sea until evening; he had been battered against the sides
and bottom of the boat during his terrible battle with the crashing waves
that constantly threatened to toss the raving shopkeeper into the sea and
was picked up by the Lucretia, plying towards Kasset. Exposure and the
nightmare he had experienced put an end to Menners' days. He did not live a
full forty-eight hours, calling down upon Longren every calamity possible on
earth and in his imagination.

Menners' story of the sailor watching his
doom, having refused him help, the more convincing since the dying man could
barely breathe and kept moaning, astounded the people of Kaperna. To say
nothing of the fact that hardly a one of them would remember an insult even
greater than the one inflicted upon Longren or to grieve as he was to grieve
for Mary till the end of his days--they were repulsed, puzzled and stunned
by Longren's silence. Longren had stood there in silence until those last
words he had shouted to Menners; he had stood there without moving, sternly
and silently, as a judge, expressing his utter contempt of Menners--there
was something greater than hatred in his silence and they all sensed this.

If he had shouted, expressed his gloating through gesture or bustling
action, or had in any other way shown his triumph at the sight of Menners'
despair, the fishermen would have understood him, but he had acted
differently than they would have -- he had acted impressively and strangely
and had thus placed himself above them -- in a word, he had done that which
is not forgiven. No longer did anyone salute him in the street or offer him
his hand, or cast a friendly glance of recognition and greeting his way.
From now and to the end he was to remain aloof from the affairs of the
village; boys catching sight of him in the street would shout after him:
"Longren drowned Menners!"

He paid no attention to this. Nor did it seem that he noticed the fact that in the tavern or on the beach among the boats
the fishermen would stop talking in his presence and would move away as from
someone who had the plague. The Menners' affair had served to strengthen
their formerly partial alienation. Becoming complete, it created an
unshakeable mutual hatred, the shadow of which fell upon Assol as well.

Young Assol, from Scarlet Sails film, 1961

The little girl grew up without friends. The two or three dozen
children of her age in the village, which was saturated like a sponge is
with water with the crude law of family rule, the basis of which is the
unquestioned authority of the parents, imitative like all children in the
world, excluded little Assol once and for all from the circle of their
protection and interest. Naturally, this came about gradually, through the
admonitions and scolding of the adults, and assumed the nature of a terrible
taboo which, increased by idle talk and rumour, burgeoned in the children's
minds to become a fear of the sailor's house.

Besides, the secluded life Longren led now gave vent to the hysterical
tongues of gossip; it was implied that the sailor had murdered someone
somewhere and that, they said, was why he was no longer signed up on any
ship, and he was so sullen and unsociable because he was "tormented by a
criminal conscience". When playing, the children would chase Assol away if
she came near, they would sling mud at her and taunt her by saying that her
father ate human flesh and was now a counterfeiter. One after another her
naive attempts at making friends ended in bitter tears, bruises, scratches
and other manifestations of public opinion; she finally stopped feeling
affronted, but would still sometimes ask her father:

"Why don't they like us? Tell me."

"Ah, Assol, they don't know how to like or love. One must be able to
love, and that is something they cannot do."

"What do you mean by 'be able to'?"
"This!"

At which he would swing the child up and fondly kiss her sad eyes which
she would shut tight with sweet pleasure.

Assol's favourite pastime was to climb up on her father's lap of an
evening or on a holiday, when he had set aside his pots of glue, his tools
and unfinished work and, having taken off his apron, sat down to rest, pipe
clenched between his teeth. Twisting and turning within the protective
circle of her father's arm, she would finger the various parts of the tovs,
questioning him as to the purpose of each. Thus would begin a peculiar,
fantastic lecture on life and people -- a lecture in which, due to Longren's
former way of life, all sorts of chance occurrences and chance in general,
strange, amazing and unusual events, were given a major role.

As Longren told his daughter the names of the various ropes, sails and rigging, he
would gradually become carried away, progressing from simple explanations to
various episodes in which now a windlass, now a rudder and now a mast, or
this or the other type of craft and such like had played a part, and from
these isolated illustrations he would go on to sweeping descriptions of
nautical wanderings, interweaving superstition with reality and reality with
images created by his imagination.

Herein appeared the tiger cat, that
herald of shipwreck, the talking flying fish which one had to obey on pain
of losing one's course, and the Flying Dutchman and his wild crew, signs,
ghosts, mermaids and pirates -- in a word, all the fables that help a sailor
while away the time during a calm spell or in some favourite tavern. Longren
also spoke of shipwrecked crews, of men who had become savages and had
forgotten how to talk, of mysterious buried treasure, of convict mutinies,
and of much else which the little girl listened to more raptly than did,
perhaps, Columbus' first audience to his tale of a new continent. "Tell me
more," Assol pleaded when Longren, lost in thought, would fall silent, and
she would fall asleep on his breast with a head full of wonderful dreams.

The appearance of the clerk from the toy shop in town, which was glad
to buy whatever Longren had made, was a great and always a materially
important treat to her. In order to get into the father's good graces and
strike a good bargain, the clerk would bring along a couple of apples, a bun
and a handfull of nuts for the girl. Longren usually asked for the true
price of a toy, for he detested bargaining, but the clerk would lower the
price. "Why," Longren would say, "i1'5 taken me a week to make this boat.

(The boat was five inches long.) See how strong and trim it is, and mark the
draught. Why, it'll hold fifteen men in a storm." In the end, the little
girl's soft murmurings and fussing with her apple would weaken Longren's
determination and desire to argue; he would give in, and the clerk, having
filled his basket with well-made, excellent toys, would leave, laughing up
his sleeve.

Longren did all the work about the house himself: he chopped wood,
carried water, made the stove, cooked, washed clothes and ironed and,
besides, found time to earn their keep.

When Assol was eight years old her
father taught her to read and write. He began taking her to town now and
then, and after a while even sent her alone if he had to borrow some money
from the shop or had some new toys to deliver. This did not happen often,
although Liss was only four miles from Kaperna, but the road lay through the
forest, and there is much in a forest that can frighten a child beside the
actual physical danger which, it is true, one would hardly find in such
close proximity to a town, but should still keep in mind. That was why
Longren would let her go to town alone only on fine days, in the morning,
when the woods along the road were filled with showers of sunshine, flowers
and stillness, so that Assol's impressionability was not threatened by any
phantoms conjured up by her imagination.

One day, in the middle of such a journey to town, the child sat down by
the roadside to have a bun she had brought along for her lunch. As she
munched on the bun she picked up each toy in turn; two or three were new to
her: Longren had made them during the night. One of the new toys was a
miniature racing yacht; the little white craft had crimson sails made of
scraps of silk which Longren used to cover the cabin walls in toys intended
for wealthy customers. Here, however, having completed the yacht, he had not
found any suitable cloth for the sails and had used what had come to hand --
some scraps of crimson silk.

Assol was delighted. The flaming, cheerful
colour burned so brightly in her hand she fancied she was holding fire. A
stream straddled by a little bridge of nailed poles crossed the road; to the
right and left the stream flowed off into the forest. "If I put it in the
water for just a little while it won't get wet," Assol was thinking, "and
then I can wipe it dry." She went off downstream into the forest a ways, and
carefully placed the boat that had caught her fancy into the stream at the
water's edge; the clear water immediately reflected the crimson of the
sails; the light streaming through the cloth lay as a shimmering pink glow
upon the white stones of the bottom.

"Where'd you come from, Captain?" Assol
inquired in a most serious voice of an imaginary character and, answering
her own question, replied, "I've come from.... from ... from China." "And
what have you brought?" "That's something I shan't tell you." "Oh, so you
won't, Captain? Well then, back into the basket you go."

Just as the captain
was about to repent and say he had only been teasing, and would gladly show
her an elephant, the mild backlash of a wave that had washed against the
bank turned the yacht's bow into the stream and, like a real vessel, it left
the bank at full speed and sailed off with the current. The scale of her
surroundings changed instantly: the stream now seemed like a great river to
the child, and the yacht a large, distant vessel towards which, nearly
falling into the water, she stretched forth her hands in dumb terror. "The
captain got frightened," she decided and ran after the disappearing toy,
hoping that it would be washed up on the bank farther on. As she hastened
along, dragging the light but cumbersome basket, Assol kept repeating,
"Goodness! How could it have happened? What an accident...." Trying not to
lose sight of the beautiful triangle of the sails that was drifting off so
gracefully, she stumbled, fell, and ran on again.

Never before had Assol ventured so far into the woods. Being completely
absorbed by an impatient desire to catch up with the toy, she paid no
attention to her surroundings; there were more than enough obstacles on the
bank to claim her attention as she scurried along. Mossy trunks of fallen
trees, pits, tall-standing ferns, briar roses, jasmine and hazel bushes
blocked her every step; in overcoming them she gradually tired, stopping
ever more often to catch her breath or brush a wisp of clinging cobweb from
her face. When, in the wider stretches, there appeared thickets of sedge and
reeds, Assol nearly lost sight of the crimson-gleaming sails, but hurrying
round a bend she would catch sight of them again, running with the wind so
majestically and steadfastly. Once she looked back, and the great mass of
the forest with its many hues, changing from the hazy columns of light in
the leaves to the dark slashes of dense gloom, astounded her. For a moment
she became frightened, but then recalled the toy and, letting out several
deep "phew's", ran on as fast as she could.

Nearly an hour passed in this futile and frantic chase, and then Assol
was surprised and relieved to see the trees part widely up ahead, letting in
a blue expanse of sea, clouds and the edge of a sandy yellow bluff onto
which she came running, nearly dropping from exhaustion. This was the mouth
of the little river; spreading here, not broadly, and shallowly, so that the
streaming blue of the rocks on the bottom could be seen, it disappeared into
the oncoming waves of the sea. Standing at the edge of the low, root-gnarled
bluff, Assol saw a man sitting on a large, flat stone by the stream with his
back to her, holding the runaway yacht and turning it in his hands with the
curiosity of an elephant that had caught a butterfly. Somewhat calmed by the
sight of the rescued toy, Assol slid down the slope, came up beside the
stranger and studied him closely while waiting for him to raise his head.
However, the stranger was so absorbed in examining the forest's surprise
that the child had a chance to inspect him from head to toe, deciding that
never before had she ever seen anyone like him.

The man was in fact Egle, the well-known collector of songs, legends
and fairy-tales, who was on a walking tour. His grey locks fell in waves
from under his straw hat; his grey blouse tucked into his blue trousers and
his high boots made him look like a hunter; his white collar, tie,
silver-studded belt, walking stick and leather pouch with the shiny,
nickel-plated buckle showed him to be a city-dweller. His face, if one can
call a face a nose, lips and eyes that peep out of a bushy, spiked beard and
luxuriant, fiercely twirled moustache, would have seemed flabbily
translucent, if not for the eyes that were as grey as sand and as shiny as
pure steel, with a gaze that was bold and powerful.
"Now give it back," the little girl said timidly. "You've played with
it long enough. How did you catch it?"

Egle looked up and dropped the yacht, for Assol's excited voice had
broken the stillness so unexpectedly. For a moment the old man gazed at her,
smiling and slowly running his beard through his large, curled hand. An
oft-washed little cotton dress just barely covered the girl's skinny,
sunburned knees. Her thick dark hair tied up in a lace kerchief had got
undone and fell to her shoulders. Every one of Assol's features was
finely-chiselled and as delicate as a swallow's flight. There was a sad,
questioning look in her dark eyes which seemed older than her face; its
irregular oval was touched with the lovely sunburn peculiar to a healthy
whiteness of the skin. Her small parted lips were turned up in a gentle
smile.

"I swear by the Brothers Grimm, Aesop and Andersen," Egle said, looking
from the girl to the yacht, "that there's something very special here!
Listen, you, flower! This is yours, isn't it?"
"Yes. I ran all the way down along the stream after it; I thought I'd
die. Did it come here?"
"Right to my feet. The shipwreck has made it possible for me, acting as
an off-shore pirate, to present you with this prize. The yacht, abandoned by
its crew, was tossed up on the beach by a three-inch wave -- landing between
my left heel and the tip of my stick." He thumped his stick. "What's your
name, child?"

"Assol," the girl replied, tucking the toy Egle had handed her into the
basket.

"That's fine." The old man continued his obscure speech, never taking
his eyes, in the depths of which a kindly, friendly chuckle glinted, from
her. "Actually, I shouldn't have asked you your name. I'm glad it's such an
unusual one, so sibilant and musical, like the whistle of an arrow or the
whispering of a seashell; what would I have done if your name had been one
of those pleasant but terribly common names which are so alien to Glorious
Uncertainty? Still less do I care to know who you are, who your parents are,
or what sort of life you lead. Why break the spell? I was sitting here on
this stone comparing Finnish and Japanese story plots ... when suddenly the
stream washed up this yacht, and then you appeared. Just as you are. I'm a
poet at heart, my dear, even though I've never written anything. What's in
your basket?"
"Boats," Assol said, shaking the basket, "and a steamship, and three
little houses with flags. Soldiers live in them."

"Excellent. You've been sent to sell them. And on the way you stopped
to play. You let the yacht sail about a bit, but it ran off instead. Am I
right?"

"Were you watching?" Assol asked doubtfully as she tried to recall
whether she had not told him about it herself. "Did somebody tell you? Or
did you guess?"

"I knew it."

"How?"

"Because I'm the greatest of all magicians."

Assol was embarrassed; the tension she felt at these words of Egle's
overstepped fear. The deserted beach, the stillness, the tiring adventure of
the yacht, the strange speech of the old man with the glittering eyes, the
magnificence of his beard and hair now seemed to the child as a brew of the
supernatural and reality. If Egle had grimaced or shouted now, the child
would have raced off, weeping and faint from fear. However, upon noticing
how wide her eyes had grown, Egle made a sharp turn.

"You've no reason to be afraid of me," he said in a serious voice. "On
the contrary, I want to have a heart-to-heart talk with you."
Now at last did he see what it was in her face that had struck him so.
"An unwitting expectation of the beautiful, of a blissful fate," he decided.

"Ah, why wasn't I born a writer? What a wonderful theme for a story."
"Now then," Egle continued, trying to round off his original thesis (a
penchant for myth-making--the result of his everyday work--was greater than
the fear of tossing seeds of great dreams upon unknown soil), "now then,

Assol, listen carefully. I've just been in the village you are probably
coming from; in a word, in Kaperna. I like fairy-tales and songs, and I
spent the whole day in that village hoping to hear something no one had
heard before. But no one in these parts tells fairy-tales. No one here sings
songs. And if they do tell stories and sing songs, you know, they are tales
about conniving peasants and soldiers, with the eternal praise of roguery,
they are as filthy as unwashed feet and as crude as a rumbling stomach,
these short, four-line ditties sung to a terrible tune.... Wait, I've got
carried away. I'll start again."

He was silent for a while and then continued thus:
"I don't know how many years will pass, but a fairy-tale will blossom
in Kaperna and will remain in the minds of the people for long. You'll be
grown-up then, Assol. One morning a crimson sail will gleam in the sun on
the far horizon. The shimmering pile of crimson sails on a white ship will
head straight towards you, cutting through the waves. This wonderful ship
will sail in silently; there will be no shouting or salvoes; a great crowd
will gather on the beach. Everyone will be amazed and astounded; and you'll
be there, too. The ship will sail majestically up to the very shore to the
strains of beautiful music; a swift boat decked out in rugs, flowers and
gold will be lowered from the ship.
"Why have you come? Whom are you
searching for?" the people on the beach will say. Then you'll see a brave
and handsome prince; he'll be standing there and stretching forth his hands
towards you. "Hello, Assol!" he'll say. "Far, far away from here I saw you
in a dream and have come to take you away to my kingdom forever. You will
live with me there in a deep rose valley. You shall have everything your
heart desires; we shall be so happy together your soul will never know the
meaning of tears or sadness." He'll take you into his boat, bring you to the
ship, and you'll sail away forever to a glorious land where the sun comes up
and where the stars will descend from the sky to greet you upon your
arrival."

"And will it all be for me?" the girl asked softly.
Her grave eyes became merry and shone trustingly. Obviously, no
dangerous magician would ever speak thus; she came closer.
"Maybe it's already come ... that ship?"
"Not so fast," Egle objected. "First, as I've said, you have to grow
up. Then ... what's the use of talking? It will be, and that's all there is
to it. What will you do then?"

"Me?" She looked into the basket but apparently did not find anything
there worthy of being a suitable reward. "I'd love him," she said quickly
and then added rather hesitantly, "if he won't fight."
"No, he won't," the magician said, winking at her mysteriously. "He
won't. I can vouch for it. Go, child, and don't forget what I've told you
between two sips of flavoured vodka and my musings over the songs of
convicts. Go. And may there be peace for your fluffy head!"
Longren was working in his small garden, hilling the potato plants.
Raising his head, he saw Assol, who was running towards him with a joyous,
impatient look on her face.

"Listen..." she said, trying to control her rapid breathing and
clutching her father's apron with both hands. "Listen to what I'm going to
tell you.... On the beach there, far away, there's a magician...."
She began her tale by telling him of the magician and his wonderful
prophesy. Her excitement made it hard for her to recount the events
coherently. She then proceeded to describe the magician and, in reverse
order, her chase after the runaway yacht.
Longren listened to her story without once interrupting and without a
smile, and when she ended it his imagination quickly conjured up a picture
of the stranger, an old man holding a flask of flavoured vodka in one hand
and the toy in the other. He turned away, but recalling that at momentous
times of a child's life one had to be serious and amazed, nodded solemnly
and uttered:

"I see.... It looks like he really is a magician. I'd like to have a
look at him.... But when you go again, don't turn off the road: it's easy to
get lost in the woods."
He laid aside his hoe, sat down by the low wattle fence and took the
child onto his lap. She was terribly tired and tried to add a few more
details, but the heat, excitement and exhaustion made her drowsy. Her lids
drooped, her head leaned against her father's hard shoulder, and in another
instant she would have been carried off to the Land of Nod, when abruptly,
perturbed by sudden doubt, Assol sat up straight with her eyes still shut
and, thrusting her little fists at Longren's waistcoat, exclaimed:
"Do you think the magical ship will really come for me?"
"It'll come," the sailor replied calmly. "If you've been told it will,
it means it will."

"She'll forget all about it by the time she grows up," he said to
himself, "and, meanwhile ... one should not take such a toy from you. You
will see so many sails in the future, and they will not be crimson, but
filthy and treacherous: from afar they'll seem gleaming and white, but from
close-up they'll be ragged and brazen. A traveller chose to jest with my
girl. So what? It was a kindly jest! It was a good jest! My, how tired you
are,-- half a day spent in the woods, in the heart of the forest. As for the
crimson sails, think of them as I do: you will have your crimson sails."
Assol slept. Longren took out his pipe with his free hand, lit it, and
the wind carried the smoke off through the fence into a bush that grew
outside the garden. Sitting by the bush with his back to the fence and
chewing on a slice of meat pie was a young beggar. The overheard
conversation between the father and daughter had put him in a cheerful mood,
and the smell of good tobacco had awakened the sponger in him.

"Give a poor man a smoke, sir," he said, speaking through the fence.
"Compared to yours, my tobacco is pure poison."
"I'd certainly give you some," Longren replied in an undertone, "but my
pouch is in my other pocket. And I don't want to waken my daughter."
"What a disaster, indeed! She'll wake up and go right back to sleep
again, but you'll have given a wayfarer a smoke."
"It's not as if you were all out of tobacco," Longren retorted, "and
the child's exhausted. Come by later, if you wish."
The beggar spat in disgust, hung his sack on his stick and sneered:
"Naturally, she's a princess. Filling her head with all sorts of
fairy-tale ships! You really are a queer fish, and you a man of property!"
"Listen," Longren whispered, "I think I will waken her, but it'll only
be because I'll be bashing your face in. Now get going!"

Half an hour later the beggar was seated in a tavern in the company of
a dozen fishermen. Sitting behind them, now tugging at a husband's sleeve,
now stretching a hand over a shoulder to reach for a glass of vodka--for
themselves, naturally--were some buxom women with shaggy brows. The muscles
of their arms were as big as paving stones. The beggar, fuming from the
affront, was relating his tale:
"...and he wouldn't give me a smoke. 'Now when you get to be of age,'
he says, 'a special red ship'll come for you. That's on account of how
you're fated to marry a prince. And,' he says, 'you mind what that magician
said.' But I say, 'Go on, wake her up, so's you can reach over and get your
pouch.' And, you know, he chased me halfway down the road."
"What? Who? What's he talking about?" the women's curious voices
demanded.

The fishermen turned their heads slightly to tell them what it was all
about, smiling wryly as they did:

"Longren and his daughter have become wild as animals, and maybe
they're even touched in the head, that's what the man here's saying. A
sorcerer came to see them, he says. And now they're waiting--ladies, see you
don't miss your chance! -- for a prince from some foreign land, and he'll be
sailing under crimson sails to boot!"
Three days later, as Assol was returning home from the toy shop in
town, she first heard the taunts:
"Hey, you gallows-bird! Assol! Look over here! See the crimson sails
coming in!"

The child started and involuntarily shielded her eyes as she gazed off
towards the sea. Then she turned back to where the shouting had come from;
twenty feet away she saw a group of children; they were making faces and
sticking their tongues out at her. The little girl sighed and hurried off
home.

Captain Gray, from Scarlet Sails film, 1961

II. GRAY

If Caesar considered that it was better to be the first in a village
than the second in Rome, Arthur Gray did not have to envy Caesar as far as
his sagacious wish was concerned. He was born a captain, desired to be one,
and became one.
The great manor in which Gray was born was sombre inside and
magnificent without. The manor looked on flower gardens and a part of the
park. The very best imaginable tulips -- silver-blue, lavender and black
with a brush of pink -- snaked through the garden like strings of
carelessly-strewn beads. The old trees in the park slumbered in the sifting
gloom above the sedge of a meandering stream. The castle fence, for the
manor was actually a castle, was made of spiral cast-iron posts connected by
iron grillwork. Each post was crowned by a cast-iron lily blossom; on
festive occasions the cups were filled with oil and burned brightly into the
night as a far-stretching, fiery line.
Gray's parents were arrogant slaves of their social position, wealth
and the laws of that society, referring to which they could say "we". The
part of their souls that was centred on the gallery of their ancestors is
not really worth describing, while the other part--an imaginary continuation
of the gallery--began with little Gray, who was preordained to live out his
life and die in such a manner as to have his portrait hung on the wall
without detriment to the family honour. A small error had crept into the
plan, however: Arthur Gray was born with a lively spirit, and was in no way
disposed to continue the line of the family tracing.
This liveliness, this complete unorthodoxy in the boy became most
evident in his eighth year; a knightly type affected by strange impressions,
a seeker and miracle worker, that is, a person who had chosen from amongst
the countless roles in life the most dangerous and touching one--the role of
Providence, became apparent in Gray
from the time he pushed a chair up against the wall to reach a painting
of the Crucifixion and removed the nails from Christ's bloody hands, that
is, he simply covered them over with blue paint he had stolen from a house
painter. Thus altered, he found the painting to be more bearable. Carried
away by this strange occupation, he had begun covering over Christ's feet as
well, but was surprised by his father. The old man jerked the boy off the
chair by his ears and asked:
"Why have you ruined the painting?"
"I haven't ruined it."
"It is the work of a famous painter."
"I don't care. I can't allow nails to be sticking out of someone's
hands, making them bleed. I don't want it to be."
Hiding his smile in his moustache, Lionel Gray recognized himself in
his son's reply and did not punish him.
Gray diligently went about studying the castle, and his discoveries
were amazing. Thus, in the attic he came upon a knight's steel armour-junk,
books bound in iron and leather, crumbling vestments and flocks of pigeons.
In the cellar, where the wine was kept, he gleaned interesting information
about Laffitte, Madeira and sherry. Here in the murky light of the lancet
windows that were squeezed in between the slanting triangles of the stone
vaults there were large and small casks; the largest, in the shape of a flat
circle, took up all of the shorter wall of the cellar; the hundred-year-old
black oak of the cask gleamed like highly-polished wood. Paunchy green and
dark-blue bottles rested in wicker baskets among the casks. Grey fungi' on
spindly stalks grew on the stones and on the earthen floor;
everywhere--there was mould, moss dampness and a sour, stuffy smell. A great
cobweb glittered like gold in a far corner when, towards evening, the sun's
last ray searched it out. Two casks of the finest Alicant that existed in
the days of Cromwell were sunk into the ground in one spot, and the
cellar-keeper, pointing out a vacant corner to Gray, did not miss the chance
to recount the story of the famous grave in which lay a dead man more live
than a pack of fox terriers. As he began his tale, the story-teller would
never forget to check on the spigot of the large cask and would walk away
from it apparently with an easier heart, since unwonted tears of too-strong
joy glistened in his suddenly merry eyes.
"Now then," Poldichoque would say to Gray, sitting down on an empty
crate and putting a pinch of snuff up his sharp nose, "do you see that spot?
The kind of wine that's buried there would make many a drunkard agree to
having his tongue cut off if he'd be given just a little glass of it. Each
cask holds a hundred litres of a substance that makes your soul explode and
your body turn into a blob of dough. It's darker than a cherry, and it won't
pour out of a bottle. It's as thick as heavy cream. It's locked away in
casks of black oak that're as strong as iron. They have double rows of
copper hoops. And the lettering on the hoops is in Latin and says, 'A Gray
will drink me when he'll be in Heaven.' There were so many opinions as to
what it means that your greatgrandfather, Simeon Gray, had a country estate
built and named it 'Heaven' and thought in that way he could reconcile the
mysterious inscription and reality by means of some harmless wit. And what
do you know? He died of a heart attack as soon as the first hoops were
knocked off. That's how excited the old gourmet was. Ever since then
nobody's as much as touched the cask. They say the precious wine will bring
misfortune. Indeed, not even the Egyptian Sphinx asked such riddles. True,
it did ask a sage: 'Will I devour you like I devour everyone else? Tell me
the truth, and you'll live', but only after giving it some concerted
thought...."
"I think the spigot's leaking again," Poldichoque would say,
interrupting himself, and would head at a slant towards the corner from
whence, having tightened the spigot, he would return with a bland, beaming
face. "Yes. After giving it some thought and, most important, taking his
time about it, the sage might have said to the Sphinx: 'Let's go and have a
drink, my good fellow, and you'll forget all about such nonsense.' 'A Gray
will drink me when he's in Heaven!' How's one to understand that? Does it
mean he'll drink it after he's dead? That's very strange. Which means he's a
saint, which means he doesn't drink either wine or spirits. Let's say that
'Heaven' means happiness. But if the question
is posed like that, any joy will lose half of its shiny leathers when
the happy fellow has to ask himself sincerely: is this Heaven? That's the
rub. In order to drink from this cask with an easy heart and laugh, my boy,
really laugh, one has to have one foot on the ground and the other in the
sky. There's also a third theory: that one day a Gray will get heavenly
drunk and will brazenly empty the little cask. However, this, my boy, would
not be carrying out the prophesy, it would be a tavern row."
Having checked once again on the working order of the spigot in the big
cask, Poldichoque ended his story looking glum and intent:
"Your ancestor, John Gray, brought these casks over from Lisbon on the
Beagle in 1793; he paid two thousand gold piasters for the wine. The
gunsmith Benjamin Ellian from Pondisherry did the inscription on the casks.
The casks are sunk six feet underground and covered with the ashes of grape
vines. No one ever drank this wine, tasted it, or ever will."
"I'll drink it," Gray said one day, stamping his foot. "What a brave
young man!" Poldichoque said. "And will you drink it in Heaven?"
"Of course! Here's Heaven! It's here, see?" Gray laughed softly and
opened his small fist. His delicate but well-formed palm was lit up by the
sun, and then the boy curled his fingers into a fist again. "Here it is!
It's here, and now it's gone again!"
As he spoke he kept clenching and unclenching his fist. At last,
pleased with his joke, he ran out, ahead of Poldichoque, onto the dark
stairway leading to the ground floor corridor. Gray was absolutely forbidden
to enter the kitchen, but once, having discovered this wonderful world of
flaming hearths and soot, this hissing and bubbling of boiling liquids,
chopping of knives and mouth-watering smells, the boy became a diligent
visitor to the great chamber. The chefs moved in stony silence like some
high priests; their white hats etched against the soot-blackened walls lent
an air of solemn ritual to their movements; the fat, jovial dishwashers at
their barrels of water scrubbed the tableware, making the china and silver
ring; boys came in, bent under the weight of baskets of fish, oysters,
lobsters and fruit. Laid out on a long table were rainbow-hued pheasants,
grey ducks and brightly-feathered chickens; farther on was the carcass of a
suckling pig with a tiny tail and eyes shut like a babe's; then there were
turnips, cabbages, nuts, raisins and sun-burnished peaches.
Gray always quailed slightly in the kitchen: he felt that some strange
force was in charge here, and that its power was the mainspring of life in
the castle; the shouts sounded like orders and invocations; the movements of
the kitchen staff after years of practice had acquired that precise,
measured rhythm that seems like inspiration. Gray was not yet tall enough to
peep into the largest cauldron which bubbled like Mt. Vesuvius, but he felt
a special respect for it; he watched in awe as two serving women handled it;
at such times steaming froth would splash out onto the top of the stove, and
the steam that rose from the hissing stove lid would billow out into the
kitchen. On one occasion so much liquid splashed out it scalded one of the
kitchen maid's hands. The skin immediately turned red from the rush of
blood, and Betsy (for that was her name) wept as she rubbed oil into the
burned skin. Tears coursed down her round, frightened face uncontrollably.
Gray was petrified. As the other women fussed about Betsy, he was
suddenly gripped by the pain of another person's suffering which he could
not himself experience.
"Does it hurt very much?" he asked.
"Try it, and you'll see," Betsy replied, covering her hand with her
apron.
The boy frowned and climbed up onto a stool, dipped a long-handled
spoon into the hot liquid (in this case it was lamb soup) and splashed some
onto his wrist. The sensation was not faint, but the faintness resulting
from the sharp pain made him sway. He was as pale as flour when he went up
to Betsy, hiding his scalded hand in his pants pocket.
"I think it hurts you awfully," he murmured, saying nothing of his own
experiment. "Come to the doctor, Betsy. Come on!"
He tugged at her skirt insistently, though all the while the believers
in home remedies were giving the girl all sorts of
advice for treating the burn. However, she was in very great pain, and
so she followed Gray. The doctor relieved her pain by applying some
medication. Not before Betsy was gone did Gray show him his own hand.
This insignificant episode made twenty-year-old Betsy and ten-year-old
Gray bosom friends. She would fill his pockets with sweets and apples, and
he would tell her fairy-tales and other stories he had read in his books.
One day he discovered that Betsy could not marry Jim, the groom, because
they had no money to set themselves up in a home of their own. Gray used his
fireplace tongs to crack his china piggy-bank and shook out the contents,
which amounted to nearly a hundred pounds. He rose early, and when the
dowerless girl went off to the kitchen, sneaked into her room and placed his
gift in her chest, laying a note on top: "This is yours, Betsy. (Signed)
Robin Hood." The commotion this caused in the kitchen was so great that Gray
had to confess to the deed. He did not take the money back and did not want
to have another word said about it.
His mother was one of those people whom life pours into a ready mould.
She lived in the dream-world of prosperity that provided for every wish of
an ordinary soul; therefore, she had no other occupation save to order
around her dressmakers, doctor and butler. However, her passionate and
ail-but religious attachment for her strange child was, one might assume,
the only vent for those of her inclinations, chloroformed by her upbringing
and fate, which were no longer fully alive, but simmered faintly, leaving
the will idle. The high-born dame resembled a peacock hen that had hatched a
swan's egg. She was quiveringly aware of the magnificent uniqueness of her
son; sadness, love and constraint filled her being when she pressed the boy
to her breast, and her heart spoke unlike her tongue, which habitually
reflected the conventional types of relationships and ideas. Thus does a
cloud effect, concocted so weirdly by the sun's rays, penetrate the
symmetrical interior of a public building, divesting it of its banal merits;
the eye sees but does not recognize the chamber; the mysterious nuances of
light amongst paltriness create a dazzling harmony.
The high-born dame, whose face and figure, it seemed, could respond but
in icy silence to the fiery voices of life and whose delicate beauty
repelled rather than attracted, since one sensed her haughty effort of will,
devoid of feminine attraction -- this same Lillian Gray, when alone with the
boy, was transformed into an ordinary mother speaking in a loving, gentle
voice those endearments which refuse to be committed to paper; their power
lies in the emotions, not in their meaning. She was positively unable to
refuse her son anything. She forgave him everything: his visits to the
kitchen, his abhorrence of his lessons, his disobedience and his many
eccentricities.
If he did not want the trees to be trimmed they were left untouched; if
he asked that someone be pardoned or rewarded -- the person in question knew
that it would be so; he could ride any horse he wished, bring any dog he
wished into the castle, go through the books in the library, run around
barefoot and eat whatever he pleased.
His father tried to put a stop to this and finally yielded -- not to
the principle, but to his wife's wishes. He merely had all the servants'
children moved out of the castle, fearing that by associating with low
society the boy's whims would become inclinations that would be difficult to
eradicate. In general, he was completely taken up with endless family
lawsuits whose origins went back to the era of the founding of the first
paper mills and whose end perhaps lay in the death of the last caviller.
Besides, there were affairs of state, the running of his own estates,
dictating his memoirs, fox-hunts, newspapers to be read and an extended
correspondence to keep him at a certain distance inwardly from the rest of
the family; he saw his son so infrequently that he would sometimes forget
how old the boy was.
Thus, Gray lived in a world of his own. He played all by
himself--usually in the back yards of the castle which had once, in times of
yore, been of strategic use. These vast, empty lots with the remains of deep
moats and moss-covered stone cellars were overgrown with weeds, nettles,
briars, blackthorn and shy bright wildflowers. Gray would spend hours here,
exploring mole burrows, battling weeds, stalking butterflies and building
fortresses of broken bricks, which he then shelled with sticks and stones.
He was going on twelve when all the implications of his soul, all the
separate traits of his spirit and shades of secret impulses were brought
together in a single powerful surge and, having in this way acquired a
harmonious expression, became an indomitable desire. Until then he seemed to
have found but disparate parts of his garden--a sunny spot, shadow, a
flower, a great dark trunk--in the many other gardens and suddenly saw them
clearly, all -- in magnificent, astonishing accord.
This happened in the library. The tall door topped by a murky fanlight
was usually locked, but the latch fit the mortise loosely and when pressed
hard, the door would give, buckle and open. When the spirit of adventure
urged Gray to make his way into the library he was amazed at the dusty
light, whose effect and peculiarity were created by the coloured design of
the leaded fanlight. The stillness of desertion lay upon everything here as
on water in a pond. Here and there dark rows of bookcases adjoined the
windows, blocking them halfway; there were aisles between the bookcases
which were piled high with volumes. Here was an open album from which the
centre pages had slipped out; over there were some scrolls tied with gold
cord, stacks of sombre-looking books, thick layers of manuscripts, a mound
of miniature volumes which cracked like bark if they were opened; here were
charts and tables, rows of new editions, maps; a great variety of bindings,
coarse, fine, black, mottled, blue, grey, thick, thin, rough and smooth. The
bookcases were packed with books. They seemed like walls which had
encompassed life itself within their bulk. The glass of the bookcases
reflected other bookcases covered with colourless, shimmering spots. On a
round table was a huge globe encased by a brass spherical cross formed by
the equator and a meridian.
Turning to the exit, Gray saw a huge painting above the door whose
images immediately filled the rigid silence of the library. The painting was
of a clipper rising upon the crest of a tremendous wave. Foam coursed down
its side. It was depicted at the very last moment of its upward flight. The
ship was sailing straight at the viewer. The rearing bowsprit obscured the
base of the masts. The crest of the great wave, rent by the keel, resembled
the wings of a huge bird. Foam streaked off into the air. The sails, but
vaguely discernible behind the forecastle deck and above the bowsprit,
swollen by the raging force of the storm, were bearing back in their
enormity, in order to, having gained the crest, righten themselves and then,
tilting over the void, speed the vessel on towards new billows. Low, ragged
clouds swirled over the ocean. The dim light struggled vainly against the
approaching darkness of night. However, the most striking aspect of the
painting was the figure of a man standing on the forecastle deck with his
back to the viewer. It fully conveyed the situation and even the nature of
the moment. The man's pose (he had spread his legs far apart and flung out
his arms) did not actually indicate what he was doing, but led one to assume
attention strained to the extreme and directed towards something on deck
invisible to the viewer. The hem of his coat was whipped back by the wind;
his white pigtail and black sword were swept straight out into the air; the
richness of his dress indicated him to be the captain; his dancing stance --
the sweep of the wave; there was no hat; he was, apparently, completely
absorbed by the dangerous moment and was shouting--but what? Did he see a
man falling overboard, was he issuing an order to tack about or, shouting
above the wind, was he calling to the boatswain? The shadows of these
thoughts, not the thoughts themselves, took shape in Gray's heart as he
gazed at the painting. He suddenly felt that someone had approached him from
the left and now stood beside him, unknown and unseen; he had only to turn
his head to make the weird sensation disappear without a trace. Gray knew
this. However, he did not snuff out his imagination, but harkened to it. A
soundless voice shouted several curt phrases, as incomprehensible as if
spoken in Malay; there followed the crash of extended avalanches; echoes and
a grim wind filled the library. Gray heard all this within himself. He
looked around; the stillness that was instantly re-established dispelled the
ringing cobweb of his fantasy; his bond with the storm was broken.
Gray returned several times to look at the painting. It became to him
that necessary word in the conversation between the soul and life without
which it is difficult to understand one's self. The great sea was gradually
finding a place within the small boy. He became accustomed to it as he went
through the books in the library, seeking out and avidly reading those
behind whose golden door the blue glitter of the ocean could be seen. There,
sowing spray behind the stern, the ships plied on. Some lost their sails and
masts and, becoming engulfed by the waves, settled into the deep, where in
the darkness gleam the phosphorescent eyes of fishes. Others, seized by the
breakers, were battered against the reefs; the subsiding swell shook the
hull dangerously; the deserted ship with its torn rigging was in protracted
agony until a new storm shattered it to bits. Still others took on cargo
uneventfully in one port and unloaded it in another; the crew, gathered
around a tavern table, would sing the praises of a life at sea and down
their drinks lovingly. There were also pirate ships that flew the Jolly
Roger, manned by terrible, cutlass-swinging crews; there were phantom ships
radiant in a deathly glow of blue illumination; there were naval ships with
soldiers, cannons and brass bands; there were the ships of scientific
expeditions, studying volcanoes, flora and fauna; there were ships enveloped
in grim mystery and mutiny; there were ships of discovery and ships of
adventure.
In this world, most naturally, the figure of the captain towered above
all else. He was the fate, the soul and the brain of the ship. His character
determined the work and the leisure of the crew. He selected his crew
himself and it met his inclinations in many ways. He knew the habits and
family life of each man. He possessed, in the eyes of his subordinates,
magical knowledge, which enabled him to confidently plot a course from, say,
Lisbon to Shanghai across the vast expanses. He repelled a storm by the
counteraction of a system of complex efforts, squelching panic with curt
orders; he sailed and stopped where he would; he was in command of the
sailing and loading, repairs and leisure; it was difficult to imagine a
greater and more sensible authority in a vital enterprise full of constant
movement. This power, in its exclu-siveness, and absoluteness, was equal to
the power of Orpheus.
This notion of a captain, this image and this actual reality of his
position occupied, by right of events of the spirit, the place of honour in
Gray's splendid imagination. No other profession save this could so
successfully fuse into a single whole all the treasures of life, while
preserving inviolable the most delicate design of each separate joy. Danger,
risk, the forces of nature, the light of a distant land, the wondrous
unknown, effervescent love, blossoming in rendezvous and parting; the
fascinating turmoil of encounters, faces, events; the endless variety of
life, while up above in the sky was now the Southern Cross, now the Big
Dipper, and all the continents were in one's keen eyes, though your cabin
was replete with your ever-present homeland, with its books, pictures,
letters and dried flowers entwined by a silken strand of hair in a suede
locket on your manly chest.
In the autumn of his fifteenth year Arthur Gray ran away from home and
passed through the golden gates of the sea. Soon after the schooner Anselm
left Dubelt and set sail for Marseilles, with a ship's boy aboard who had
small hands and the face of a girl dressed in boy's clothing. The ship's boy
was Gray, the owner of an elegant travelling-bag, patent leather boots as
fine as kid gloves and batiste linen adorned with a crown crest.
In the course of a year, while the Anselm sailed from France to America
and Spain, Gray squandered a part of his possessions on pastry-cakes, thus
paying tribute to the past, and the rest, for the present and future, he
lost at cards. He wanted to be a red-blooded sailor. He choked as he downed
his liquor, and when bathing, his heart would falter as he dived from a
height of twelve feet. He gradually lost everything except that which was
most important--his strange, soaring spirit; he lost his frailty, becoming
broad of bone and strong of muscle, his paleness gave way to a deep tan, he
relinquished his refined carelessness of movement for the sure drive of a
working hand, and there was a sparkle in his intelligent eyes as in a
person's who gazes into
a fire. And his speech, having lost its uneven, haughtily shy fluidity,
became brief and precise, as the thrust of a seagull at the quivering silver
of a fish.
The captain of the Anselm was a kind man, but a stern seafarer who had
taken the boy on out of maliciousness. He saw in Gray's desperate desire but
an eccentric whim and gloated in advance, imagining that in two months' time
Gray would say, avoiding his eyes: "Captain Hop, I've skinned my elbows
climbing the rigging; my back and sides ache, my fingers don't bend, my head
is splitting and my legs are shaky- All these wet ropes weighing eighty
pounds to balance in my hands; all these manropes, guy ropes, windlasses,
cables, topmasts and cross-trees are killing my delicate body. I want to go
home to my mamma." After listening mentally to this speech, Captain Hop
would deliver, also mentally, the following speech: "You can go wherever you
want to, ducky. If any tar's got stuck on your fine feathers you can wash it
off at home -- with Rose-Mimosa Cologne." This cologne that Captain Hop had
invented pleased him most of all and, concluding his imaginary rebuke, he
repeated aloud: "Yes. Run along to Rose-Mimosa."
As time went by this impressive dialogue came to the captain's mind
less and less frequently, since Gray was advancing towards his goal with
clenched teeth and a pale face. He bore the strenuous toil with a determined
effort of will, feeling that it was becoming ever easier as the stern ship
broke into his body and ineptitude was replaced by habit. On occasion the
loop of the anchor chain would knock him off his feet, slamming him against
the deck, or a rope that was not wound around the bitts would be torn out of
his hands, taking the skin off his palms, or the wind would slap the wet
corner of a sail with an iron ring sewn into it against his face; in a word,
all his work was torture which demanded the utmost attention, yet, no matter
how hard he breathed as he slowly straightened his back, a scornful smile
never left his face. In silence did he endure all the scoffing, taunts and
inevitable cursing until he became "one of the boys" in his new
surroundings, but from then on he always countered an insult with his fists.
Once, when Captain Hop saw him skilfully tying a sail toll a yard, he
said to himself: "Victory is on your side, you scoundrel." When Gray climbed
down to the deck Hop summoned him to his cabin and, opening a dog-eared
book,
said:
"Listen closely. Stop smoking! We'll start fitting the pup
out to be a captain."
And he began to read or, rather, to enunciate and shout the ancient
words of the sea. This was Gray's first lesson. In the course of a year he
got to know about navigation, shipbuilding, maritime law, sailing directions
and bookkeeping. Captain Hop proffered him his hand and referred to the two
of them as "we".
His mother's letter, full of tears and dread, caught up with Gray in
Vancouver. He replied: "I know. But if you could only see as I do: look at
things through my eyes. If you could only hear as I do: put a seashell to
your ear--it carries the sound of an eternal wave; if you could only love as
I do--everything, I would have found in your letter, besides love and a
cheque, a smile." And he went on sailing until the Anselm arrived with a
cargo for Dubelt from whence, while the ship was docked, the twenty-year-old
Gray set off to visit
the castle.
Everything was as it had always been; as inviolable in detail and in
general impression as five years before, although the crowns of the young
elms were larger; the pattern they made on the facade of the building had
moved
and expanded.
The servants who came running were overjoyed, startled and froze as
respectfully as if they had but yesterday greeted this Gray. He was told
where his mother was; he entered the high chamber and, drawing the door shut
softly, stopped soundlessly, gazing at the woman, now turned grey, in the
black dress. She was standing before a crucifix; her fervent whisper was as
audible as the pounding of a heart. "And bless those at sea, the wayfarers,
the sick, the suffering and the imprisoned," Gray heard the words as he
breathed rapidly. There followed: "And my boy.... " Then he said: "Here...."
But he could say no more. His mother turned. She had become thinner; a new
expression lit up the
haughtiness of her chiselled face, like the return of youth. She
hurried towards her son; a burst of throaty laughter, a restrained
exclamation and tears of her eyes--this was all. But in that moment she
lived -- more fully and happier than in the whole of her previous life.
"I recognized you instantly, my darling, my baby!"
And Gray indeed ceased being grown-up. He listened to her tale of his
father's death and then told her about himself. She heeded him without
reproach or protestation, but to herself--in everything he contended was the
essence of his life,-- she saw but toys her boy was playing with. These
playthings were the continents, oceans and ships.
Gray spent seven days in the castle; on the eighth day, having taken
along a large sum of money, he returned to Dubelt and said to Captain Hop:
"I thank you. You've been a good friend. Farewell now, my mentor." He
sealed the word with a handshake as fierce as an iron vice. "From now on
I'll be sailing alone, on a ship of my own."
The blood rushed to Hop's head, he spat, yanked his hand away and
stalked off, but Gray overtook him and put his arm around his shoulders. And
so they went to a tavern all together, twenty-four of them, counting the
crew, and drank, and shouted, and sang, and ate, and downed everything there
was in the bar and in the kitchen.
But a short while later the evening star flashed above the black line
of a new mast in the Port of Dubelt. It was the Secret, a
two-hundred-and-sixty-ton, three-masted galliot Gray had purchased. Arthur
Gray sailed it for four more years as the owner and captain until chance
brought him to Liss. However, he had remembered for always that short burst
of throaty laughter that had greeted him at home, and so twice a year he
visited the castle, leaving the silver-haired woman with an uncertain
conviction that such a big boy might perhaps be able to handle his toys
after all.

III. DAWN

The stream of foam cast off by the stern of Gray's Secret crossed the
ocean as a white streak and faded in the glow of the evening lights of Liss.
The ship dropped anchor near the lighthouse.
For the next ten days the Secret unloaded tussore silk, coffee and tea;
the crew spent the eleventh day ashore, relaxing in alcoholic fumes; on the
twelfth day, for no good reason, Gray was blackly despondent and could not
understand this despondency.
He had barely come awake in the morning when he felt that this day had
begun in a black shroud. He dressed glumly, ate breakfast half-heartedly,
forgot to read the newspaper and smoked for a long while, plunged into an
inexpressible mood of futile tension; among the vaguely emerging words
unacknowledged desires roamed, destroying each other through equal effort.
Then he got down to work.
Accompanied by the boatswain, Gray inspected the ship and ordered the
guy ropes tightened, the tiller rope loosened, the hawse cleaned, the tack
changed, the deck tarred, the compass wiped and the hold opened, aired and
swept. However, this did not dispel his dark mood. Filled with an uneasy
awareness of the gloom of the day, he spent it irritably and sadly: it was
as if someone had called to him, but he had forgotten who it was and whence.
Towards evening he settled back in his cabin, picked up a book and
argued with the author at length, making marginal notes of a paradoxical
nature. For a while he was amused by this game, this conversation with a
dead man holding sway from the grave. Then, lighting his pipe, he became
immersed in the blue smoke, living among the spectral arabesques that
appeared in its shifting planes.
Tobacco is very potent; as oil poured onto the surging rent between the
waves allays their frenzy, so does tobacco soothe irritation and dull the
emotions by several degrees; they become calmer and more musical. Therefore,
after
three pipes, Gray's depression finally lost its aggressive nature and
was transformed into thoughtful distraction. This state lasted for about
another hour; when the fog lifted from his soul, Gray came to with a start,
hungered for exercise and went up on deck. It was night; alongside, in the
slumbering black water, there dozed the stars and the lights of the mast
lanterns. The air, as warm as a cheek, brought in the smell of the sea. Gray
raised his head and squinted at the gold coal of a star; instantly, through
the dizzying distance, the fiery needle of a remote planet penetrated his
pupils. The muted noise of the town at evening reached his ears from the
depths of the bay; sometimes a phrase from the shore was wafted in across
the sensitive surface of the water; it would sound clearly, as if spoken on
deck and then be snuffed out by the creaking of the rigging; a match flared
on the forecastle deck, lighting up a hand, a pair of round eyes and a
moustache. Gray whistled; the lighted pipe moved and floated towards him;
soon, in the dark, the captain made out the hands and face of the man on
watch. "Tell Letika he's coming with me," Gray said. "Tell him to take along
the fishing tackle."
He went down into the rowboat where he waited for Letika for about ten
minutes; a nimble, shifty-eyed youth banged the oars against the side as he
handed them down to Gray; then he climbed down himself, fitted them into the
oarlocks and stuck a bag of provisions into the stern of the rowboat. Gray
sat at the tiller.
"Where to, Captain?" Letika asked, rowing in a circle with the right
oar alone.
The captain was silent. The sailor knew that one could not intrude upon
this silence and, therefore, falling silent as well, he began rowing
swiftly.
Gray set their course out to sea and then steered them along the left
bank. He did not care where they were going. The tiller gurgled; the oars
creaked and splashed; all else was sea and silence.
In the course of a day a person heeds to so many thoughts, impressions,
speeches and words that together they would fill many a heavy tome. The face
of a day takes on a definite expression, but today Gray searched this face
in vain. Its obscure features glowed with one of those emotions of which
there are many, but which have not been given a name. No matter what they
are called, they will forever remain beyond the scope of words and even
concepts, so like the effect of an aroma. Gray was now at the mercy of just
such an emotion; true, he might have said: "I am waiting. I see. I shall
soon know,"--but even these words were equal to no more than are the
separate drawings in relation to an architectural conception. Yet, there was
the power of radiant excitement in these ideas.
The bank appeared to the left like a wavy thickening of darkness.
Sparks from the chimneys danced above the red glass of the windows; this was
Kaperna. Gray could hear shouting, wrangling and barking. The lights of the
village resembled a firebox door that has burned through in tiny spots to
let you see the flaming coal inside. To the right was the ocean, as real as
the presence of a sleeping person. Having passed Kaperna, Gray steered
towards the shore. The water lapped against it softly here; lighting his
lantern, he saw the pits in the bluff and its upper, overhanging ledges; he
liked the spot.
"We'll fish here," Gray said, tapping the oarsman on the shoulder.
The sailor harrumphed vaguely.
"This is the first time I've ever sailed with such a captain," he
muttered. "He's a sensible captain, but no ordinary kind. A difficult
captain. But I like him all the same."
He stuck the oar into the silt and tied the boat to it and they both
scrambled up the stones that rolled out from under their knees and elbows.
There was a thicket at the top of the bluff. The sound of an axe splitting a
dry trunk followed; having felled the tree, Letika made a campfire on the
bluff. Shadows moved, and the flames that were reflected in the water; in
the receding gloom the grass and branches stood out; the air, mingled with
smoke, shimmered and glowed above the fire.
Gray sat by the campfire.
"Here," he said, proffering a bottle, "drink to all teetotallers, my
friend Letika. And, by the way, the vodka you brought along is flavoured
with ginger, not quinine."
"I'm sorry, Captain," the sailor replied, catching his breath. "If you
don't mind, I'll eat it down with this...." At which he bit off half a roast
chicken and, extracting a wing from his mouth, continued: "I know you like
quinine. But it was dark, and I was in a hurry. Ginger, you see, embitters a
man. I always drink ginger vodka when I have to
g-As the captain ate and drank, the sailor kept stealing
glances at him and, finally, unable to contain himself any longer, he
said,
"Is it true, Captain, what they say? That you come from a
noble family?"
"That's of no importance, Letika. Take your tackle and fish a while if
you want to." "What about you?"
"Me? I don't know. Maybe. But ... later." Letika unwound his line,
chanting in rhyme, something he was a past master at, to the delight of the
crew.
"From a string and piece of wood I made a very fine, long whip. Then I
found a hook to fit it, and I whistled sharp and quick." He poked about in a
tin of worms. "This old worm lived in a burrow and was happy as could be,
but I've got him hooked real good now, and the perch will all thank me."
Finally, he walked off, singing: "Moonlight shines, the vodka's perfect,
fishes, harken, I draw near. Herrings, faint, and sturgeon skitter, Letika
is fishing here!"
Gray lay down by the fire, gazing at the water and the reflection of
the flames. He was thinking, but effortlessly; in this condition one's mind,
while observing one's surroundings absently, comprehends them but dimly; it
rushes on like a stallion in a jostling herd, crushing and shoving aside,
and halting; emptiness, confusion and delay attend it in turn. It wanders
within the souls of things; from bright agitation it hurries to secret
intimations; passing from earth to sky, conversing on the subject of life
with imaginary personages, snuffing out and embellishing one's memories. In
this cloudy movement all is live and palpable, and all is as loosely hung
together as a hallucination. And one's relaxing consciousness often smiles,
seeing, for instance, one's thoughts on life suddenly accosted by a most
inopportune visitor: perhaps a twig broken two years before. Thus was Gray
thinking by the fire, but he was "somewhere else"--not there.
The elbow he was leaning on, while supporting his head on his hand,
became damp and numb. The stars shone faintly; the gloom was intensified by
a tenseness preceding dawn. The captain was dozing off, but did not realize
it. He felt like having a drink, and he put his hand out towards the sack,
untying it in his sleep. Then he stopped dreaming; the next two hours were
to him no longer than the seconds during which he had laid his head upon his
arms. Meanwhile, Letika had appeared by the campfire twice, he had smoked
and, out of curiosity, had looked into the mouths of the fish he had caught,
wondering what might be there. But, quite naturally, nothing was.
Upon awakening, Gray forgot for a moment how he happened to be where he
was. He gazed in astonishment at the cheerful shine of the morning, the
bluff adorned by bright branches and the blazing blue distance. The leaves
of a hazel bush hung over the horizon and also over his feet. At the bottom
of the bluff--Gray felt it was right at his back--the tide lapped softly.
Falling from a leaf, a dewdrop spread over his sleepy face in a cold
splatter. He rose. Light had triumphed everywhere. The cooling brands of the
campfire clutched at life with a tendril of smoke. Its aroma imparted a wild
headiness to the pleasure of breathing the air of the green woods.
Letika was nowhere in sight; he was oblivious to all; he sweated as he
fished with the zeal of a true gambler. Gray left the woods for the
bush-dotted slope. The grass smoked and flamed; the moist flowers resembled
children who had been forcibly scrubbed with cold water. The green world
breathed with myriad tiny mouths, blocking Gray's way through its exultant
cluster. The captain finally got to a clearing overgrown with grass and
flowers, and here he saw a sleeping girl.
He cautiously moved aside a branch and stopped, feeling that he had
made a dangerous discovery. But five steps away lay a tired Assol, curled up
with one leg tucked under her and the other stretched out, and her head
resting on her
comfortably crossed arms. Her hair was mussed; a button had come undone
at her collar, revealing a white hollow; her tumbled skirt had bared her
knees; her lashes slept upon her cheek in the shadow of her delicately
curved temple, half-covered by a dark lock; the pinky of her right hand,
which was under her head, curled over the back of her head. Gray squatted
and looked into the girl's face from below, never suspecting that he
resembled the Faun in Arnold Bocklin's painting.
Perhaps, under other circumstances, he would have noticed the girl with
his eyes alone, but now he saw her differently. Everything stirred,
everything smiled within him. Naturally, he did not know her or her name,
or, moreover, why she had fallen asleep on the shore; but he was very
pleased by this. He liked pictures that were accompanied neither by an
explanatory text nor by a caption. The impression such a picture makes is
far more powerful; its content, unencumbered by words, becomes boundless,
affirming all conjectures and thoughts.
The shadow cast by the leaves was approaching the trunks, but Gray
still squatted there in that uncomfortable position. Everything about the
girl was asleep: her dark hair slept, her dress slept, as did the pleats of
her skirt; even the grass near her body, it seemed, was dozing out of
sympathy. When the impression became complete, Gray entered its warm,
engulfing waves and sailed off on it. Letika had been shouting for some
time: "Captain! Where are you?", but the captain heard him not.
When he finally rose, a predilection for the unusual caught him
unawares with the determination and inspiration of an angered woman. Giving
way to it pensively, he removed the treasured old ring from his finger,
thinking, and not without reason, that perhaps, in this way, he was
suggesting something essential to life, similar to orthography. He slipped
the ring gently onto the pinky that showed white under the back of her head.
The pinky twitched in annoyance and curled up. Glancing once again at this
resting face, Gray turned to see the sailor's sharply-raised brows. Letika
was gaping as he watched the captain's movements with the kind of
astonishment Jonah must have felt as he gazed down the maw of his furnished
whale.
"Ah, it's you, Letika! Look at her. Isn't she beautiful?" "A wondrous
painting!" the sailor shouted in a whisper, for he liked bookish
expressions. "There's something prepossessing in the presentation of the
circumstances. I caught four morays and another one, as round as a bladder."
"Shh, Letika. Let's get out of here." They retreated into the bushes.
They should have turned back to the rowboat now, but Gray procrastinated,
looking off into the distance at the low bank, where the morning smoke from
the chimneys of Kaperna streamed over the greenery and the sand. In the
smoke he once again saw the girl-Then he turned determinedly and went down
the slope; the sailor did not question him about what had happened, but
walked on behind; he sensed that once again a compulsory silence ensued.
When they reached the first houses Gray suddenly said,
"Can your practised eye tell us where the tavern is, Letika?"
"It must be that black roof," Letika mused, "but then, again, maybe it
isn't."
"What's so special about that roof?"
"I really don't know, Captain. Nothing more than the voice of my
heart."
They approached the house; it was indeed Menners' tavern. Through the
open window they could see a bottle on the table; beside it someone's dirty
hand was milking a steel-grey moustache.
Although it was still early in the day there were three men in the
common room. The coalman, the owner of the drunken grey moustache already
noted, was sitting by the window; two fishermen were lodged around some
scrambled eggs and beer at a table set between the bar and an inner door.
Menners, a tall young man with a dull, freckled face and that peculiar
expression of bold cunning in his near-sighted eyes that is a distinctive
feature of tradesmen in general, was wiping plates behind the counter. The
window frame was imprinted in the sunshine on the dirty floor.
No sooner had Gray stepped into the strip of smoky light than Menners,
bowing respectfully, came out from behind his enclosure. He had immediately
sensed a real captain in Gray--a type of client rarely to be seen there.
Gray ordered rum. Covering the table with a cloth become yellowed in the
bustle of daily life, Menners brought over a bottle, but first licked the
corner of the label that had come unstuck. Then he went back behind the
counter to look intently now at Gray, now at the plate from which he was
picking off a dry particle of food.
While Letika, having raised his glass between his hands, was whispering
to it softly and glancing out the window, Gray summoned Hin Menners. Hin
perched on the edge of a chair with a self-satisfied air, flattered at
having been addressed, and especially flattered because this had been done
by a simple crook of Gray's finger.
"I assume you know all the local inhabitants," Gray said in an even
voice. "I would like to know the name of a girl in a kerchief, in a dress
with pink flowers, auburn-haired, of medium height, between seventeen and
twenty years of age. I came upon her not far from here. What is her name?"
He spoke with a firm simplicity of strength that made it impossible to
evade his tone. Hin Menners squirmed inwardly and even smirked slightly, but
outwardly he obeyed the nature of the address. However, he hesitated before
replying--but only from a futile desire to guess what was up
"Hm!" he said, raising his eyes to the ceiling. "It must be
Sailing-ship Assol. She's a halfwit."
"Indeed?" Gray said indifferently, taking a big sip. "Why is she like
that?"
"If you really want to know, I'll tell you."
And Hin told Gray of the time, seven years before, when, on the
seashore, the girl had spoken to a man who collected folk songs. Naturally,
this story, in the years since the beggar had first affirmed its existence
in the tavern, had taken the shape of a crude and ugly rumour, but the
essence remained unchanged.
"And that's what she's been called ever since," Menners said. "She's
called Sailing-ship Assol."
Gray glanced automatically at Letika, who was still behaving quietly
and modestly, then his eyes turned to the dusty road outside the tavern, and
he felt as if he had been struck--a double blow to his heart and head.
Coming down the road towards him was the very same Sailing-ship Assol whom
Menners had just described from a clinical point of view. Her striking
features, which resembled the mystery of unforgettable, stirring, yet simple
words, appeared to him now in the light of her gaze. The sailor and Menners
both had their backs to the window and, in order that they not turn
accidentally, Gray found the courage to shift his gaze to Hin's ginger eyes.
After he had seen Assol's eyes, all the prejudice of Menners' story was
dispelled. Meanwhile, Hin continued unsuspectingly:
"I can also add that her father is a real bastard. He drowned my pater
like he was a cat or something, God forgive me. He...."
He was interrupted by an unexpected, wild howl coming from behind. The
coalman, rolling his eyes fiercely and having cast off his drunken stupor,
suddenly began bawling a song, but with such force that it made everyone
jump:
Basket-maker, basket-maker, Skin us for your baskets!
"You're roaring drunk again, you damn whaleboat!" Menners shouted. "Get
out!"
But take care that you don't fall Right into our caskets!
the coalman bawled and then, as if nothing were amiss, he | dunked his
moustache into a slopping glass.
Hin Menners shrugged indignantly.
"He's the scum of the earth," he said with the sinister | dignity of
the miser. "It happens every time!"
"Is there anything else you can tell me?" Gray asked.
"Me? I just told you her father's a bastard. On account of
him, sir, I was orphaned, and while still a boy was forced to earn my
bread by the sweat-of my brow."
"You're lying!" the coalman said unexpectedly. "You're lying so foully
and unnaturally that it's sobered me
up."
Before Hin had a chance to open his mouth, the coalman addressed Gray:
"He's lying. His father was a liar, too; as was his mother. It runs in
the family. Rest assured, she's as sane as you and me. I've spoken to her.
She rode in my cart eighty-four times or a bit less. If a girl's walking
home from town and I've sold all my coal, I'll always give her a lift. She
might as well ride. I'm saying that she has a sane head on her shoulders.
You can see that now. Naturally, she'd never talk to you, Hin Menners. But
me, sir, in my free coal trade, I despise gossip and rumours. She talks like
a grown-up, but her way of talking is strange. If you listen closely--it
seems like just the same as you and me would say, and it is, but yet, it
isn't. For instance, we got to talking about her trade. 'I'll tell you
something,' she said, and her holding onto my shoulder like a fly to a
bell-tower, 'my work isn't dull, but I keep wanting to think up something
special. I want to find a way to make a boat that'll sail by itself, with
oarsmen that'll really row; then, they'll dock at the shore, tie up and sit
down on the beach to have a bite, just exactly as if they were alive.' I
started laughing, see, 'cause I found it funny. So I said, 'Well, Assol,
it's all because of the kind of work you do, that's why you think like this,
but look around; the way other people work, you'd think they were fighting.'
'No,' she says, 'I know what I know. When a fisherman's fishing he keeps
thinking he'll catch a big fish, bigger than anyone ever caught.' 'What
about me?' 'You?' She laughed. Til bet that when you fill your basket with
coal you think it'll burst into bloom.' That's the words she used! That very
moment, I confess, I don't know what made me do it, I looked into the empty
basket, and I really thought I was seeing buds coming out of the basket
twigs; the buds burst and leaves splashed all over the basket and were gone.
I even sobered UP a bit! But Hin Menners will lie in his teeth and never bat
an eye--I know him!"

Finding the conversation to have taken an obviously insulting turn,
Menners looked at the coalman scathingly and disappeared behind the counter,
from where he asked bitterly: "Do you want to order anything else?"
"No," said Gray, pulling out his purse. "We're getting up and leaving.
Letika, you stay here. Come back this evening and don't say a word. Having
discovered all you can, report to me. Understand?"

"My dear Captain," Letika said with a familiarity brought on by the
rum, "only a deaf-mute would not have understood this."

"Fine. And don't forget that not in a single instance of the many that
may occur can you speak of me, or even mention my name. Goodbye!"

Gray left. From then on he was possessed by a consciousness of
astonishing discoveries, like a spark in Berthold's powder mortar,--one of
those spiritual avalanches from under which fire escapes, blazing. He was
possessed by a desire for immediate action. He came to his senses and was
able to think clearly only when he got into the rowboat. Laughing, he held
out his hand, palm up, to the scorching sun, as he had done once as a boy in
the wine cellar; then he shoved off and began rowing swiftly towards the
harbour.

Alexander Grin author of "Crimson Sails"

IV. ON THE EVE

On the eve of that day and seven years after Egle, the collector of folk songs, had told the little girl on the beach a fairy-tale about a ship with crimson sails, Assol returned home from her weekly visit to the toy shop feeling distressed and looking sad. She had brought back the toys that she had taken to be sold. She was so upset she could not speak at first, but after looking at Longren's anxious face and seeing that he expected news that was much worse than what had actually happened, she began to speak, running her finger over the windowpane by which she stood, gazing out at the sea absently.

The owner of the toy shop had begun this time by opening his ledger and
showing her how much they owed him. She felt faint at the sight of the
impressive, three-digit figure.

"This is how much you've received since December," the shopkeeper said,
"and now we'll see how much has been sold." And he set his finger against
another figure, but this one was a two-digit one.
"It's a pity and a shame to look."

"I could see by looking at his face that he was rude and angry. I'd
have gladly run away, but, honestly, I was so ashamed I had no strength to.
And he went on to say: 'There's no profit in it for me any more, my dear
girl. Imported goods are in demand now. All the shops are full of them, and
nobody buys these kind.' That's what he said. He went on talking, but I've
mixed up and forgotten what he said. He probably felt sorry for me, because
he suggested I try the Children's Bazaar and Alladin's Lamp."

Having unburdened herself of that which was most important, the girl
turned her head and looked at the old man timidly. Longren sat hunched over,
his fingers locked between his knees on which his elbows rested. Sensing her
eyes on him, he raised his head and sighed. Overcoming her depression, she
ran up to him, settled down beside him and, slipping her small hand under
the leather sleeve of his jacket, laughing and looking up into her father's
face from below, she continued with feigned liveliness:

"Never mind, it's not important. You listen, now. Anyway, I left. Well,
I came to the big, awfully frightening store; it was terribly crowded.
People shoved me, but I made my way through and went over to a black-haired
man in spectacles. I don't remember a word of what I said to him; finally,
he snickered, poked about in my basket, looked at some of the toys, then
wrapped them up in the kerchief again and handed them back."
Longren listened to her angrily. He seemed to be seeing his overawed
daughter in the richly-dressed crowd at the counter piled high with fine
goods. The neat man in the spectacles was explaining condescendingly that he
would go bankrupt if he decided to offer Longren's simple toys for sale. He
had casually and expertly set up folding houses and railroad bridges on the
counter before her; tiny, perfectly-made automobiles, electric sets,
airplanes and motors. All of this smelled of paint and school. According to
him, children nowadays only played games that imitated the occupations
of their elders.
Then Assol had gone to Alladin's Lamp and to two other
shops, but all in vain.
As she finished her tale she laid out their supper; having eaten and
downed a mug of strong coffee, Longren said: "Since we're out of luck, we'll
have to start looking for something else. Perhaps I'll sign on a ship
again--the Fitzroy or the Palermo. Of course, they're right," he continued
thoughtfully, thinking of the toys. "Children don't play nowadays, they
study. They keep on studying and studying, and will never begin to live.
This is so, but it's a shame, it really is a shame. Will you be able to
manage without me for one voyage? I can't imagine leaving you alone." "I
could sign up with you, too. Say, as a barmaid." "No!" Longren sealed the
word with a smack of his palm on the shuddering table. "You won't sign up as
long as I'm alive. However, there's time to think of something."
He settled into a sullen silence. Assol sat down beside him on the edge
of the stool; out of the corner of his eye, without turning his head, he
could see that she was doing her best to console him and nearly smiled. No,
if he smiled it would frighten her off and embarrass her. Mumbling to
herself, she smoothed his tumbled grey hair, kissed his moustache and,
covering her father's bristly ears with her small, tapering fingers, said,
"There, now you can't hear me say that I love you." Longren had sat
still while she had been making him pretty, as tense as a person afraid to
inhale smoke, but hearing what she said, he laughed uproariously.
"You dear," he said simply and, after patting her cheek, went down to
the beach to have a look at his rowboat.
For a while Assol stood pensively in the middle of the room, hesitating
between a desire to give herself up to wistful melancholy and the necessity
of seeing to the chores; then, having washed the dishes, she took store of
the
remains of their provisions. She neither weighed nor measured, but saw
that they would not have enough flour to last out the week, that the bottom
of the sugar tin was now visible; the packets of coffee and tea were nearly
empty and there was no butter; the only thing on which her eye rested
ruefully, as it was the sole exception, was a sack of potatoes. Then she
scrubbed the floor and sat down to stitch a ruffle on a skirt made over from
something else, but recalling instantly that the scraps of material were
tucked behind the mirror, she went over to it and took out the little
bundle; then she glanced at her reflection.
Beyond the walnut frame in the clear void of the reflected room was a
small, slim girl dressed in cheap, white, pink-flowered muslin. A grey silk
kerchief covered her shoulders. The still childish, lightly-tanned face was
lively and expressive; her beautiful eyes, somewhat serious for her age,
looked out with the timid intentness peculiar to sensitive souls. Her
irregular face was endearing in its delicate purity of line; each curve,
each elevation might have been found in many a woman's face, but taken all
together the style was extremely original -- originally sweet; we shall stop
here. The rest cannot be expressed in words, save for one word:
"enchantment".
The reflected girl smiled as impulsively as Assol. The smile turned out
rather sad; noticing this, she became disturbed, as if she were looking at a
stranger. She pressed her cheek against the glass, closed her eyes and
stroked the mirror softly over her reflection. A swarm of hazy, tender
thoughts flashed through her; she straightened up, laughed and sat down to
sew.
While she is sewing, let us have a closer look at her--a look into her.
She was made of too girls, two Assols mixed up in happy, wonderful
confusion. One was the daughter of a sailor, a craftsman, a toy-maker, the
other was a living poem, with all the marvels of its harmonies and images,
with a mysterious alignment of words, in the interaction of light and
shadow, cast by one upon the other. She knew life within the limits of her
own experience, but besides the generalities, she saw the reflected meaning
of a different order. Thus, looking into objects, we observe them not with a
linear perception, but through impression--which is definitely human and --
as is all that is human -- distinct. Something similar to that which (if we
have succeeded) we have portrayed by this example, she saw above and beyond
the visible. Without these modest victories all that was simplv
understandable was alien to her. She loved to read, but in each book she
read mostly between the lines, as she lived. Unconsciously, through
inspiration, she mack- countless ethereally-subtle discoveries at every
step, inexpressible, but as important as cleanliness and warmth.
Sometimes--and this continued for a number of days -- she even became
transformed; the physical opposition of life fell away, like the stillness
in the sweep of a bow across the strings; and all that she saw, that was
vital to her, that surrounded her, became a lace of mystery in the image of
the mundane. Many a time, apprehensive and afraid, did she go to the beach
at night where, waiting for dawn to break, she looked off most intently,
searching for the ship with the Crimson Sails. These minutes were pure joy
to her; it is difficult for us to give ourselves up thus to a fairy-tale; it
would be no less difficult for her to escape from its power and enchantment.
On some other occasion, thinking back over all this, she would
sincerely wonder at herself, not being able to believe that she had
believed, forgiving the sea with a smile and sadly coming back to reality;
as she now gathered the ruffle she thought about her past life. There had
been much that was dull and simple. The two of them being lonely together
had at times weighed heavily on her, but there had formed within her by then
that fold of inner shyness, that suffering wrinkle which prevents one from
bringing or receiving cheer. Others mocked her, saying: "She's touched in
the head", "out of her mind" -- she had become accustomed to this pain, too.
The girl had even suffered insults, after which her breast would ache as
from a blow. She was not a popular girl in Kaperna, although many suspected
that there was more to her than to others--but in a different tongue. The
men of Kaperna adored stout, heavy-limbed women with oily skin on their
large calves arid powerful arms; they courted them here by slapping them on
the back
and jostling them as they would in a crowded market place. The style of
such emotion resembled the unsophisticated simplicity of a roar. Assol was
as well suited to this determined milieu as the society of a ghost would be
to extremely high-strung people, had it even possessed all the charm of
Assunta or Aspasia; anything resembling love here was out of the question.
Thus, meeting the steady blast of a soldier's bugle, the sweet sadness of a
violin is powerless to bring the stern regiment out from under the influence
of its straight planes. The girl stood with her back to all that has been
said in these lines.
While she was humming a song of life, her small hands were working
swiftly and adroitly; biting off a thread, she looked off, but this did not
stop her from turning the hem evenly or stitching it with the accuracy of a
sewing machine. Although Longren did not return, she was not worried about
her father. Of late, he had often set out fishing in his boat at night or
simply for some air. Fear did not gnaw at her: she knew that no ill would
befall him. In this respect Assol was still the little girl that had prayed
in her own way, lisping fondly, "Good morning, God!" in the morning and:
"Goodbye, God!" in the evening.
In her opinion such a first-hand acquaintance with God was quite
sufficient for Him to ward off any disaster. She imagined herself in His
place: God was forever occupied with the affairs of millions of people and,
therefore, she believed that one should regard the ordinary shadows of life
with the polite patience of a guest who, discovering the house full of
people, waits for the bustling host, finding food and shelter as best he
can.
Having done with her sewing, Assol folded her work on the corner table,
undressed and went to bed. The lamp had been turned off. She soon noticed
that she was not sleepy; her mind was as clear as it was in the middle of
the day, and even the darkness seemed artificial; her body, as her mind,
felt carefree and dayish. Her heart beat as rapidly as a pocket watch; it
seemed to be beating between the pillow and her ear. Assol was annoyed; she
twisted and turned, now flinging off the blanket, now rolling up in it,
pulling it over her head. At last she was able to bring on the familiar
scene that helped her to fall asleep: she imagined herself tossing pebbles
into clear water and watching the faint circles grow wider and wider. Sleep
seemed to have been awaiting this handout; it came, whispered with Mary, who
stood at the head of the bed and, obeying her smile, said "Shhh" to
everything all around. Assol was asleep instantly. She dreamed her favourite
dream: of blossoming trees, a yearning, enchantment, songs and strange
scenes, of which, upon awakening, she could recall only the glitter of the
blue water rising from her feet to her heart with a chill of delight. After
dreaming of all this, she remained in that improbable world for a while
longer and then awakened fully and sat up.
She was not at all sleepy, quite as if she had not fallen asleep at
all. A feeling of novelty, of joy and a desire for action welled up in her.
She looked around with the eyes of one examining a new room. Dawn seeped
in--not with the complete lucidity of illumination, but with that faint
effort through which one can comprehend one's surroundings. The bottom of
the window was black; the top had become light. Without, by the edge of the
window frame, the morning star twinkled. Knowing that she would not fall
asleep again, Assol dressed, went over to the window and, raising the hook,
opened it. An attentive, clear silence reigned outside; it seemed to have
only now descended. In the blue twilight the bushes shimmered; farther on
the trees slept; the air was heavy and smelled of the earth.
Leaning her hand on the top of the frame, the girl looked out and
smiled. Suddenly, something akin to a distant call stirred her both from
within and without, and she seemed to awaken once again from obvious reality
to that which was clearer still and still more doubtless. From that moment
on she was caught up by an exultant richness of consciousness. Thus,
comprehending them, we listen to words spoken by others, but if one were to
repeat that which was said, we would come to understand them once again with
a different, a new meaning. She, too, now experienced this.
Picking up an old but, when she wore it, ever fresh and new silk
kerchief, she grasped it under her chin with one hand, locked the door and
darted out onto the road
barefoot. Although all was deserted and still, she imagined she
resounded like an orchestra and could actually be heard. Everything pleased
her, everything gladdened her eye. The warm dust tickled her bare feet; the
air was clear and a joy to breathe. The rooftops and clouds were etched in
black against the clearing twilight of the sky; the fences, briar roses,
gardens, orchards and the faintly seen road all dozed. In everything there
was noticeable a different order than during the day--the same, yet, in a
conformity that had formerly evaded one. Everything slept with open eyes,
furtively examining the passing girl.
She quickened her step as she got farther away, in a hurry to leave the
village behind. There were meadows beyond Kaperna; beyond the meadows hazel
bushes, poplars and chestnut trees dotted the slopes of the hills along the
shore. At the spot where the road ended and continued as an overgrown path,
a silky little black dog with a white chest and eyes tensed to speak circled
gently by Assol's feet. The dog, recognizing Assol, walked along beside her,
squealing from time to time and wriggling its body coquettishly, silently
agreeing with the girl about something as clear as "you" and "me". Assol,
glancing into its communicative eyes, was convinced that the dog could have
spoken if it had not had a secret reason for not doing so. Glimpsing its
companion's smile, the dog crinkled its nose cheerfully, wagged its tail and
trotted on ahead, but suddenly sat down indifferently, scratched its ear
which had been bitten by its eternal enemy, and ran off.
Assol entered the tall meadow grass that splashed dew upon her; holding
her hand out, palm-down, above its spikelets, she walked on, smiling at the
streaming touch. Peering into the very special faces of the flowers, the
confusion of stems, she could make out allusions--poses, efforts, movements,
features and expressions that were nearly human; she would not now have been
surprised at a procession of field mice, a gophers' ball or the rough antics
of a hedgehog, scaring a sleeping gnome with its huffing. Indeed, a grey
ball of a hedgehog rolled across her path. "Humph-humph," it snorted
angrily, like a cabbie at a pedestrian. Assol spoke with those whom she saw
and understood. "Hello, poor thing," she said to a purple, worm-eaten iris.
"You'd better stay home for a while,"--this was said to a bush stranded in
the middle of the path and, therefore, lacking leaves torn off by the
clothes of passers-by. A large beetle was clutching a bluebell, pulling the
flower down and slipping, but scrabbling up it stubbornly. "Shake off the
fat passenger," Assol advised it. True enough, the beetle lost its grip and
flew off noisily. Thus, with pounding heart, trembling and flushed, she
approached the slope of a hill and was concealed from the openness of the
meadow in the thicket where she was surrounded by true friends who -- and
she knew this--spoke in deep bass voices.
These were the large old trees that grew amongst the honeysuckle and
hazel bushes. Their drooping branches brushed the top leaves of the bushes.
White flower cones rose among the solemn gravity of the large chestnut
leaves, their aroma blended with the scent of the dew and the sap. The path,
criss-crossed by the slippery bulges of roots, now dipped, now clambered up
the slope. Assol felt at home here; she greeted the trees as if they were
people, that is, by pressing their broad leaves. She walked on, whispering
to herself or aloud: "Here you are, here's another you. How many of you
there are, my friends! I'm in a hurry, boys, let me pass! I recognize you
all, I remember you and respect you." Her "boys" patted her grandly as best
they could -- with their leaves -- and creaked with an air of kindredness in
reply. Feet muddied, she made her way out to the bluff above the sea and
stood at the very edge, breathing hard after her fast walk. A deep,
unconquerable faith rejoiced and bubbled exultantly inside of her. Her gaze
cast it beyond the horizon, from whence it returned in the faint surge of
the incoming waves, proud in its clean flight.
Meanwhile, the sea, stitched with a golden thread along the horizon,
was still asleep; save at the foot of the bluff did the water rise and fall.
The steel grey of the sleeping ocean at the shore became blue and then black
farther off. Beyond the golden thread the sky, flaring up, glowed in a great
fan of light; the white clouds were now touched with pink.
Delicate, heavenly tints shimmered within them. A quivering
snow-whiteness spread across the distant blackness; the foam sparkled and
the blood-red splash, flaring up along the golden thread, sent crimson
ripples across the ocean to Assol's feet.
She sat down and hugged her knees. She leaned towards the sea and gazed
off at the horizon with eyes that had grown large and in which nothing
grown-up remained at • all--with the eyes of a child. Everything she had
awaited so long and so fervently was taking place there, at the end of the
world. In that land of distant abysses she imagined an undersea hill;
streaming thongs of seaweed snaked upward from its slopes; amongst the round
leaves pierced by a stem at the edge strange flowers shone. The upper leaves
glistened on the surface of the ocean; he who knew not what Assol knew would
see only a shimmering and glitter.
A ship rose from the seaweed; it surfaced and stopped in the very
middle of the sunrise. From this great distance it was as clearly visible as
the clouds. Radiating joy, it flamed like wine, a rose, blood, lips, red
velvet and scarlet fire. The ship was heading straight towards Assol. Two
wings of spray were cast up by the powerful thrust of its keel; rising, the
girl pressed her hands to her breast, but the magic play of light became
ripples: the sun rose, and a bright fullness of morning tore the covers from
everything that still languished and stretched on the sleepy earth.
The girl sighed and looked around. The music had ended, but Assol was
still under the spell of its ringing chorus. This impression gradually
weakened, then became a memory and, finally, simply weariness. She lay down
in the grass, yawned and, closing her eyes blissfully, fell asleep -- a
sleep as deep and sound as a young nut, without cares or dreams.
She was awakened by a fly crawling along her bare sole. Assol wriggled
her foot impatiently and awoke; sitting up, she pinned back her dishevelled
hair and, therefore, Gray's ring made itself known, but believing it to be
simply a blade of grass that had become caught between her fingers, she held
them out. However, since the hindrance did not disappear, she raised her
hand to her eyes impatiently and instantly jumped to her feet with the force
of a shooting fountain.
Gray's radiant ring sparkled on her finger as on someone else's, for at
this moment she could not claim it to be her own, she did not feel the
finger to belong to her.
"Whose joke is this? Whose joke is this?" she cried. "Am I still
sleeping? Maybe I found it and forgot about it?"
She gripped her right hand, on which the ring was placed, with her
left, looked around in wonder, searching out the sea and the green thickets
with her gaze; but no one moved, no one was hiding in the bushes, and there
was no sign in the vastly illumined blue sea. A flush consumed Assol, and
the voices of her heart murmured the prophetic "yes". There was no
explanation for what had happened, but she found it without words of
thoughts in her strange feeling, and the ring now became dear to her. She
trembled as she pulled it off her finger and held it in her cupped hand like
water as she examined it--with her soul, her heart, the boundless joy and
clear superstition of youth--then, tucking it into her bodice, Assol buried
her face in her hands from under which a smile strained to burst forth and,
lowering her head, she slowly followed the road back home.
Thus--by chance, as people say who can read and write,--Gray and Assol
found each other on a summer's morning so full of inevitability.

V. PREPARING FOR BATTLE

;
After Gray returned to the deck of the Secret he stood there
motionlessly for some minutes, running his hand over his head from back to
front, which indicated a state of utter confusion. Absent-mindedness -- a
veiled movement of the emotions--was reflected in the senseless smile of the
sleep-walker on his face. His mate, Panten, was at that moment coming along
the quarter-deck, carrying a dish of fried fish; sighting Gray, he noted the
captain's strange state.
"You're not hurt, are you, sir?" he inquired cautiously. "Where were
you? What did you see? Actually, though, that's none of my business. An
agent has offerred us a profitable cargo with a bonus. But what's the matter
with you, sir?"
"Thank you," Gray said with a sigh, as if he had been untied. "That was
just what I needed, the sound of your simple, intelligent voice. It's like a
dash of cold water. Tell the crew we're weighing anchor today, Panten, and
moving into the mouth of the Liliana, about ten miles from here. The river
bed is dotted with shoals. Come for the chart. We won't need a pilot. That's
all for now.... Oh, yes, I need that profitable cargo like I need last
year's snow. You can tell the agent that's what I said. I'm going to town
now, and I'll be there till evening."
"But what happened?"
"Nothing at all, Panten. I want you to bear in mind my desire to avoid
all questions. When the time comes, I'll tell you what it's all about. Tell
the crew that we'll put up for repairs and that the local drydock is
occupied."
"Yes, sir," Panten replied dazedly to Gray's retreating back. "Aye,
aye, sir."
Although the captain's orders were quite sensible, the mate was
goggled-eyed and raced off to his own cabin, carrying the dish of fish and
mumbling: "You're puzzled, Panten. Is he thinking of trying his hand at
smuggling? Will we be flying the Jolly Roger now?" At this Panten became
confused by the wildest guesses. While he nervously wolfed down the fish,
Gray went to his cabin, took out a sum of money and, crossing the bay,
appeared in the shopping section of Liss. Now, however, he acted
determinedly and calmly, knowing down to the last detail all that he would
do on this wondrous journey. Each motion -- thought, movement--warmed him as
with the refined joy of creative work. His plan was formed instantly and
vividly. His understanding of life had undergone that last attack of the
chisel after which marble is serene in its magnificent glowing.
Gray visited three shops, placing especial stress on the accuracy of
his choice, since he was quite sure of the exact shade and colour he wanted.
In the first two shops he was shown silk of gaudy hues, intended to please
an unsophisticated vanity; in the third he found samples of imaginative
tints. The shopkeeper bustled about cheerfully, spreading out fabrics from
his old stock, but Gray was as serious as an anatomist. He patiently
unfolded parcels and bolts, laid them aside, moved them together, unrolled
and brought up to the light so many crimson strips that the counter, piled
high with them, seemed about to burst into flame. A scarlet wave fell upon
the tip of Gray's boot; a pink reflection shone on his hands and face. As he
rummaged among the slight resistance of the silk he noted the colours:
cerise, pink and old rose; the richly simmering cherry, orange and gloomy
iron reds; here there were shades of all density and strength, as different
in their imaginary kinship as are the words: "charming", "wonderful",
"magnificent", "exquisite"; in the folds there lurked allusions inaccessible
to the language of the eyesight, but a true crimson tone evaded our captain
for quite some time. The fabrics the shopkeeper brought out were good, but
they did not evoke a clear, firm "yes". At last, one colour attracted the
disarmed attention of the buyer; he sat down in an armchair by the window,
pulled a long strip from the rustling bolt, dropped it on his knees and,
sitting back with his pipe clenched between his teeth, became
contemplatively still.
This colour, as absolutely pure as a crimson ray of morning, full of
noble joy and regality, was just exactly the proud colour Gray was searching
for. It did not contain the mixed shades of fire, poppy petals, the play of
lilac or purple tints; nor was there any blueness or shadow -- nothing to
raise any doubt. It glowed like a smile with the charm of spiritual
reflection. Gray became so lost in thought that he forgot about the
shopkeeper who stood at his elbow with the alertness of a hunting dog
pointing. Tiring of waiting, the merchant called attention to himself by the
crack of a piece of cloth being ripped.
"That's enough samples," Gray said, rising. "I'm taking this silk."
"The whole bolt?" the merchant asked, politely doubting. But Gray
stared at his forehead in silence, which prodded
the shopkeeper to assume an undue familiarity. "How many metres, then?"
Gray nodded, as if telling the man to wait, and, with a pencil, figured
the amount he needed on a slip of paper.
"Two thousand metres." He inspected the shelves dubiously. "Not more
than two thousand metres."
"Two?" said the shopkeeper, jumping like a jack-in-the-box. "Thousand?
Metres? Please sit down, Captain. Would you like to see our latest samples,
Captain? As you wish. May I offer you a match, and some excellent tobacco?
Two thousand ... two thousand at...." He named a price which had as much to
do with the real price as a vow does with a simple "yes", but Gray was
satisfied, because he did not wish to bargain over anything. "A magnificent,
excellent silk," the shopkeeper was saying, "unexcelled in quality. You
won't find this anyplace else but here."
When the man had finally run out of laudation, Gray arranged to have
the silk delivered, paid his bill, including this service, and left. He was
seen to the door by the shopkeeper with as much pomp as if he were a Chinese
emperor. Meanwhile, somewhere nearby, a street musician, having tuned his
cello, drew his bow gently across it, making it speak out sadly and
wonderfully; his comrade, the flutist, showered the singing of the strings
with a trilling of throaty whistling; the simple song with which they filled
the sun-sleepy yard reached Gray's ears, and he knew instantly what he had
to do. Actually, all these days he had existed at that propitious height of
spiritual vision from which he could clearly note every hint and prompt
offered by reality. Upon hearing the sounds, drowned out by passing
carriages, he entered into the very heart of the most important impressions
and thoughts brought forth, in keeping with his nature, by this music, and
could foresee why and how that which he had thought of would turn out well.
Passing the lane, Gray entered the gate of the house from where the music
was coming. By this time the musicians were getting ready to move on; the
tall flutist, with an air of dignity brought low, waved his hat gratefully
at those windows from which coins were tossed. The cello was locked under
its owner's arm again; he was mopping his wet brow and waiting for the
flutist.
"Why, it's you, Zimmer!" Gray said to him, recognizing the violinist
who entertained the seamen in the evenings with his magnificent playing at
the Money on the Barrel Inn. "Why have you forsaken your violin?"
"Dear Captain," Zimmer objected smugly, "I play anything that makes
sounds and rattles. In my youth I was a musical clown. I have now developed
a passion for art, and I realize with a heavy heart that I've squandered
away a real talent. That is why, from a feeling of late-come greed, I love
two at once: the cello and the violin. I play the cello in the daytime and
the violin in the evening, so that I seem to be weeping, to be sobbing over
a lost talent. Will you offer me some wine? Hm? The cello is my Carmen, but
the violin...."
"Is Assol," Gray said.
Zimmer misunderstood.
"Yes," he nodded, "a solo played on cymbals or brass pipes is something
else again. However, what do I care? Let the clowns of art grimace and
twitch -- I know that fairies dwell within the violin and the cello."
"And what dwells in my tur-i-loo?" the flutist asked as he walked up.
He was a tall fellow with a sheep's blue eyes and a curly blond beard. "Tell
me that now."
"It all depends on how much you've had to drink since morning.
Sometimes it's a bird, and sometimes it's liquor fumes. Captain, may I
present my partner Diiss? I told him about the way you throw your money
around when you're drinking, and he's fallen in love with you, sight
unseen."
"Yes," Diiss said, "I love a grand gesture and generosity. But I'm a
sly fellow, so don't trust my vile flattery."
"Well, now," Gray said and smiled, "I'm pressed for time, and the
matter is urgent. I can offer you a chance to earn some good money. Put
together an orchestra, but not one that's made up of fops with funeral
parlour faces who've forgotten in their musical pedantry or,--worse
still--in their gastronomical soundings, all about the soul of music and are
slowly spreading a pall over the stage with their intricate noises,-- no.
Get together your friends who can make the simple hearts of cooks and
butlers weep, get
together your wandering tribe. The sea and love do not stand for
pedants. I'd love to have a drink with you and polish off more than one
bottle, but I must go. I've got a lot to attend to. Take this and drink to
the letter A. If you accept my proposition, come to the Secret this evening.
It's moored near the first dam."
"Right!" Zimmer cried, knowing that Gray paid like a king. "Bow, Diiss,
say 'yes' and twirl your hat from joy! Captain Gray has decided to get
married!"
"Yes," Gray replied simply. "I'll tell you the details on board the
Secret. As for you...."
"Here's to A!" Diiss nudged Zimmer and winked at Gray. "But... there
are so many letters in the alphabet! Won't you give us something for Z,
too?"
Gray gave them some more money. The musicians departed. He then went to
a commission agent and placed a secret order for a rush job, to be completed
in six day's time, and costing an impressive amount. As Gray returned to his
ship the agent was boarding a steamboat. Towards evening the silk was
delivered; Letika had not yet returned, nor had the musicians arrived; Gray
went off to talk to Panten.
It should be noted that in the course of several years Gray had been
sailing with the same crew. At first, the captain had puzzled the sailors by
the eccentric nature of his voyages and stops--which sometimes lasted for
months--in the most trade-lacking, unpopulated places, but in time they were
inspired by Gray's "grayism". Often he would sail with ballast alone, having
refused to take on a profitable cargo for the sole reason that he did not
like the freight offered. No one could ever talk him into taking on a load
of soap, nails, machine parts or some such that would lie silently in the
hold, evoking lifeless images of dull necessity. But he was always ready to
take on fruit, china, animals, spices, tea, tobacco, coffee, silk and rare
varieties of wood: ebony, sandalwood and teak. All this was in keeping with
the aristocratism . of his imagination, creating a picturesque atmosphere;
small wonder then that the crew of the Secret, having been nurtured thus in
the spirit of originality, should look down somewhat upon all other ships,
engulfed as they were in the smoke of plain, ordinary profit. Still and all,
this time Gray noted their questioning looks: even the dumbest sailor knew
that there was no need to put up for repairs in a forest river.
Panten had naturally passed Gray's orders on to them. When Gray entered
his mate was finishing his sixth cigar and pacing up and down the cabin,
dizzy from so much smoke and stumbling over chairs. Evening was approaching;
a golden shaft of light protruded through the open porthole, and in it the
polished visor of the captain's cap flashed.
"Everything's shipshape," Panten said sullenly. "We can weigh anchor
now if you wish."
"You should know me by now," Gray said kindly. "There's no mystery
about what I'm doing. As soon as we drop anchor in the Liliana I'll tell you
all about it, and you won't have to waste so many matches on cheap cigars.
Go on and weigh anchor."
Panten smiled uncomfortably and scratched an eyebrow.
"Yes, I know. Not that I ... all right."
After he was gone Gray sat very still for a while, looking out of the
door that was slightly ajar, and then went to his own cabin. There he first
sat, then lay down and then, listening to the clatter of the windlass
pulling up the loud chain, was about to go up to the forecastle deck but
fell to pondering and returned to the table where his finger drew a quick,
straight line across the oilcloth. A fist struck against the door brought
him out of his maniacal trance; he turned the key, letting in Letika. The
sailor, panting loudly, stood there looking like a messenger who has averted
an execution at the very last moment.
"Let's go, Letika, I said to myself from where I stood on the pier," he
said, speaking rapidly, "when I saw the boys here dancing around the
windlass and spitting on their hands. I have an eagle-eye. And I flew. I was
breathing down the boatman's back so hard he broke out in a nervous sweat.
Did you want to leave me behind, Captain?"
"Letika," Gray said, peering at his bloodshot eyes, "I expected you
back no later than this morning. Did you pour cold water on the back of vour
head?"
"Yes. Not as much as went down the hatch, but I did. I've done
everything."
"Let's have it."
"There's no sense talking, Captain. It's all written down here. Read
it. I did my best. I'm leaving."
"Where to?"
"I can see by the look on your face that I didn't pour enough cold
water on my head."
He turned and exited with the strange movements of a blind man. Gray
unfolded the slip of paper; the pencil must have been surprised as it
produced the scrawl that resembled a crooked fence. This is what Letika had
written:
"Following orders. I went down the street after 5 p.m. A house with a
grey roof and two windows on either side; it has a vegetable garden. The
person in question came out twice: once for water and once for kindling for
the stove. After dark was able to look into the window, but saw nothing on
account of the curtain."
There followed several notations of a domestic nature which Letika had
apparently gleaned in conversation over a bottle, since the memorandum ended
rather abruptly with the words: "Had to add a bit of my own to square the
bill."
However, the gist of the report stated but that which we know of from
the first chapter. Gray put the paper in his desk, whistled for the watch
and sent the man for Panten, but the boatswain Atwood showed up instead,
hastily pulling down his rolled-up sleeves.
"We've tied up at the dam. Panten sent me down to see what the orders
are. He's busy fighting off some men with horns, drums and other violins.
Did you tell them to come aboard? Panten asked you to come up. He says his
head's spinning."
"Yes, Atwood. I invited the musicians aboard. Tell them to go to the
crew's quarters meanwhile. We'll see to them later. Tell them and the crew
I'll be up on deck in fifteen minutes, I want everyone in attendance. I
presume you and Panten will also listen to what I have to say."
Atwood cocked his left brow. He stood by the door for a few moments and
then sidled out.
Gray spent the next ten minutes with his face buried in his hands; he
was not preparing himself for anything, nor was he calculating. He simply
wished to be silent for a while. In the meantime, everyone awaited him
anxiously and with a curiosity full of surmise. He emerged and saw in their
faces an expectation of improbable things, but since he considered that
which was taking place to be quite natural, the tenseness of these other
people's souls was reflected in his own as a slight annoyance.
"It's nothing out of the ordinary," said Gray, sitting down on the
bridge ladder. "We'll lie to in the river till we change the rigging. You've
all seen the red silk that's been delivered. The sailmaker Blent will be in
charge of making new sails from it for the Secret. We'll then set sail, but
I can't say where to. At any rate, it won't be far from here. I am going for
my wife. She's not my wife yet, but she will be. I must have red sails on my
ship so that, according to the agreement, she can spot us from afar. That is
all. As you see, there's nothing mysterious in all this. And we'll say no
more
about it."
"Indeed," said Atwood, sensing from the crew's smiling faces that they
were pleasantly surprised but did not venture to speak. "So that's it,
Captain.... It's not for us to judge. We can only obey. Everything'll be as
you wish. May I offer my congratulations." "Thank you!"
Gray gripped the boatswain's hand, but the latter.through superhuman
effort, returned the handshake so firmly the captain yielded. Then the crew
came up, mumbling words of congratulations with one man's warm smile
replacing another's. No one shouted, no one cheered -- for the men had
sensed something very special in the captain's short speech. Panten heaved a
sigh of relief and brightened visibly -- the weight that had lay on his
heart melted away. The ship's carpenter was the only one who seemed
displeased. He shook Gray's hand listlessly and said
morosely:
"How'd you ever think of it, Captain?"
"It was like a blow of your axe. Zimmer! Let's see your
boys."
The violinist, slapping the musicians on the back, pushed seven
sloppily dressed men out of the crowd.
"Here," Zimmer said. "This is the trombone. He doesn't play, he blasts.
These two beardless boys are trumpeters; when they start playing, everybody
feels like going off to war. Then there's the clarinet, the cornet and the
second fiddle. AH of them are past masters at accompanying the lively prima,
meaning me. And here's the headmaster of our merry band -- Fritz, the
drummer. You know, drummers usually look disappointed, but this one plays
with dignity and fervour. There's something open-hearted and as straight as
his drumsticks about his playing. Will there be anything else, Captain
Gray?"
"Magnificent. A place has been set aside for you in the hold, which
this time, apparently, will be filled with all sorts of scherzos, adagios
and fortissimos. To your places, men. Cast off and head out, Panten! I'll
relieve you in two hours."
He did not notice the passing of these two hours, as they slipped by to
the accompaniment of the same inner music that never abandoned his
consciousness, as the pulse does not abandon the arteries. He had but one
thought, one wish, one goal. Being a man of action, in his mind's eye he
anticipated the events, regretting only that they could not be manipulated
as quickly and easily as chequers on a board. Nothing about his calm
exterior bespoke the inner tension whose booming, like the clanging of a
great bell overhead, reverberated through his body as a deafening, nervous
moan. It finally caused him to begin counting to himself: "One... two...
thirty..."--and so on, until he said: "One thousand." This mental exercise
had its effect; he was finally able to take a detached view of the project.
He was somewhat surprised at not being able to imagine what Assol was like
as a person, for he had never even spoken to her. He had once read that one
could, though incompletely, understand a person if, imaging one's self to be
that person, one imitated the expression of his face. Gray's eyes had
already begun to assume a strange expression that was alien to them, and his
lips under his moustache were curling up into a faint, timid smile, when he
suddenly came to his senses, burst out laughing and went up to relieve
Panten.
It was dark. Panten had raised the collar of his jacket and was pacing
back and forth by the compass, saying to the helmsman:
"Port, one quarter point. Port. Stop. A quarter point
more."
The Secret was sailing free at half tack.
"You know," Panten said to Gray, "I'm pleased."
"What by?"
"The same thing you are. Now I know. It came to me right here on the
bridge." He winked slyly as the fire of his pipe lighted his smile.
"You don't say?" Gray replied, suddenly understanding what he was
getting at. "And what do you know?"
"It's the best way to smuggle it in. Anybody can have whatever kind of
sails he wants to. You're a genius, Gray!"
"Poor old Panten!" the captain said, not knowing whether to be angry or
to laugh. "Your guess is a clever one, but it lacks any basis in fact. Go to
bed. You have my word for it that you're wrong. I'm doing exactly as I
said."
He sent him down to sleep, checked their course and sat down. We shall
leave him now, for he needs to be by himself.

VI. ASSOL REMAINS ALONE

Longren spent the night at sea; he neither slept nor fished, but sailed
along without any definite course, listening to the lapping of the water,
gazing into the blackness, holding his face up to the wind and thinking. At
the most difficult times of his life nothing so restored his soul as these
lonely wanderings. Stillness, stillness and solitude were what he needed in
order to make the faintest, most obscure voices of his inner world sound
clearly. This night his thoughts were of the future, of poverty and of
Assol. It was unbearably difficult for him to leave her, if only for a short
while; besides, he was afraid of resurrecting the abated pain. Perhaps,
after signing up on a ship, he
would again imagine that waiting for him in Kaperna was his beloved who
had never died--and, returning, he would approach the house with the grief
of lifeless expectation. Mary would never again come through the door. But
he wanted to provide for Assol and, therefore, decided to do what his
concern for her demanded he do.
When Longren returned the girl was not yet at home. Her early walks did
not worry her father; this time, however, there was a trace of anxiety in
his expectation. Pacing up and down, he turned to suddenly see Assol; having
entered swiftly and soundlessly, she came up to him without a word and
nearly frightened him by the brightness of her expression, which mirrored
her excitement. It seemed that her second being had come to light--true
being to which a person's eyes alone usually attest. She was silent and
looked into Longren's face so strangely that he quickly inquired:
"Are you ill?"
She did not immediately reply. When the meaning of his words finally
reached her inner ear Assol started, as a twig touched by a hand, and
laughed a long, even peal of quietly triumphant laughter. She had to say
something but, as always, she did not have to think of what it would be. She
said:
"No. I'm well.... Why are you looking at me like that? I'm happy.
Really, I am, but it's because it's such a lovely day. What have you thought
of? I can see by your look that you've thought of something."
"Whatever I may have thought of," Longren said, taking her on his lap,
"I know you'll understand why I'm doing it. We've nothing to live on. I
won't go on a long voyage again, but I'll sign on the mailboat that plies
between Kasset and Liss."
"Yes," she said from afar, making an effort to share his cares and
worries, but aghast at being unable to stop feeling so gay. "That's awful.
I'll be very lonely. Come back soon." Saying this, she blossomed out in an
irrepressible smile. "And hurry, dear. I'll be waiting for you."
"Assol!" Longren said, cupping her face and turning it towards himself.
"Tell me what's happened."
She felt she had to dispel his fears and, overcoming her jubilation,
became gravely attentive, all save her eyes, which still sparkled with a new
life.
"You're funny. Nothing at all. I was gathering nuts."
Longren would not have really believed this had he not been so taken up
by his own thoughts. Their conversation then became matter-of-fact and
detailed. The sailor told his daughter to pack his bag, enumerated all he
would need and had some instructions for her:
"I'll be back in about ten days. You pawn my gun and stay at home. If
anyone annoys you, say: 'Longren will be back soon.' Don't think or worry
about me: nothing will happen to me."
He then had his dinner, kissed her soundly and, slinging the bag over
his shoulder, went out to the road that led to town. Assol looked after him
until he turned the bend and then went back into the house. She had many
chores to do, but forgot all about them. She looked around with the interest
of slight surprise, as if she were already astrangerto this house, so much a
part of her for as far back as she could recall that it seemed she had
always carried its image within her, and which now appeared like one's
native parts do when revisited after a lapse of time and from a different
kind of life. But she felt there was something unbecoming in this rebuff of
hers, something wrong. She sat down at the table at which Longren made his
toys and tried to glue a rudder to a stern; as she looked at these objects
she unwittingly imagined them in their true sizes, and real. All that had
happened that morning once again rose up within her in trembling excitement,
and a golden ring as large as the sun fell to her feet from across the sea.
She could not remain indoors, left the house and set out for Liss, She
had no errand there at all, and did not know why she was going, yet could
not but go. She met a man on the way who asked for directions; she explained
all in detail to him, and the incident was immediately forgotten.
The long road slipped by as if she had been carrying a bird that had
completely absorbed her tender attention. Approaching the town, she was
distracted somewhat by the
noise given off by its great circle, but it had no power over her as
before, when, frightening and cowing her, it had made her a silent coward.
She stood up to it. She passed along the circle of the boulevard leisurely,
crossing the blue shadows of the trees, glancing up at the faces of
passers-by trustingly and unselfconsciously, walking slowly and confidently.
The observant had occassion during the day to note the stranger here, an
unusual-looking girl who had passed through the motley crowd, lost in
thought. In the square she held her hand out to the stream of water in the
fountain, fingering the sparkling spray; then she sat down, rested a while
and returned to the forest road. She traversed it in refreshed spirits, in a
mood as peaceful and clear as a stream in evening that had finally exchanged
the flashing mirrors of the day for the calm glow of the shadows.
Approaching the village, she saw the selfsame coalman who had imagined his
basket sprouting blossoms; he was standing beside his cart with two strange,
sullen men who were covered with soot and dirt. Assol was very pleased.
"Hello, Phillip. What are you doing here?"
"Nothing, Midge. A wheel got loose. I fixed it, and now I'm having a
smoke and talking to my friends. Where were you?"
Assol did not reply.
"You know, Phillip, I like you very much, and that's why you're the
only one I'm telling this to. I'll be leaving soon. I'll probably be going
away for good. Don't tell anyone, though."
"You mean you want to go away? Where to?" The coalman was so surprised
he gaped, which made his beard still longer than it was.
"I don't know." Slowly, she took in the clearing, the elm under which
the cart stood, the grass that was so green in the pink twilight, the
silent, grimy coalmen and added after a pause: "I don't know. I don't know
the day or the hour, or even where it'll be. I can't tell you any more.
That's why I want to say goodbye, just in case. You've often given me a
lift."
She took his huge, soot-blackened hand and more or less managed to give
it a shake. The worker's face cracked in a stiff smile. The girl nodded,
turned and walked off. She disappeared even before Phillip and his friends
had a chance to turn their heads.
"Ain't it a wonder?" the coalman said. "How's a body to understand
that? There's something about her today ... funny, like, I mean."
"You're right," the second man agreed. "You can't tell whether she was
just saying that or trying to make us believe her. It's none of our
business."
"It's none of our business," said the third and sighed.
Then the three of them got into the cart and, as the wheels clattered
over the rocky road, disappeared in a cloud of dust.

VII. THE CRIMSON SECRET

It was a white hour of morning; a faint mist crowded with strange
phantoms filled the great forest. An unnamed hunter, having just left his
campfire, was making his way parallel to the river; the light of its airy
emptiness glimmered through the trees, but the cautious hunter did not
approach the river as he examined the fresh tracks of a bear that was
heading for the mountains.
A sudden sound rushed through the trees with the unexpectedness of an
alarming chase; it was the clarinet bursting into song. The musician, having
come up on deck, played a passage full of sad and mournful repetition. The
sound trembled like a voice concealing grief; it rose, smiled in a sad trill
and ended abruptly. A distant echo hummed the same melody faintly.
The hunter, marking the tracks with a broken twig, made his way to the
water. The fog had not yet lifted; it obscured the silhouette of a large
ship turning slowly out of the river. Its furled sails came to life, hanging
down in festoons, coming unfurled and covering the masts with the helpless
shields of their huge folds; he could hear voices and the
sound of steps. The off-shore wind, attempting to blow, picked at the
sails lazily; finally, the sun's warmth had the desired effect; the pressure
of the wind increased, lifted the fog and streamed along the yards into the
light crimson shapes so full of roses. Rosy shadows slipped along the white
of the masts and rigging, and everything was white except the unfurled,
full-blown sails which were the colour of true
joy-The hunter, staring from the bank, rubbed his eyes hard until he
was finally convinced that what he was seeing was indeed so and not
otherwise. The ship disappeared around a bend, but he still stood there,
staring; then, shrugging, he went after his bear.
While the Secret sailed along the river, Gray stood at the helm, not
trusting it to the helmsman, for he was afraid of shoals. Panten sat beside
him, freshly-shaven and sulking resignedly, and wearing a new worsted suit
and a shiny new cap. As before, he saw no connection between the crimson
magnificence and Gray's intentions.
"Now," said Gray, "when my sails are glowing, the wind is fair and my
heart is overflowing with joy that is greater than what an elephant
experiences at the sight of a small bun, I shall try to attune you to my
thoughts as I promised back in Liss. Please bear in mind that I don't
consider you dull-witted or stubborn, no; you are an exemplary seaman and
this means a lot. But you, as the great majority of others, hear the voices
of all the simple truths through the thick glass of life; they shout, but
you will not hear them. What I'm doing exists as an old-fashioned belief in
the beautiful and unattainable, and what, actually, is as attainable and
possible as a picnic. You will soon see a girl who cannot, who must not
marry otherwise than in the manner I am following and which you are
witnessing."
He related in short that which we know so well, concluding thus:
"You see how closely entwined here are fate, will and human nature; I'm
going to the one who is waiting and can wait for me alone, while I do not
want any other but her, perhaps just because, thanks to her, I've come to
understand a simple truth, namely: you must make so-called miracles come
true yourself. When a person places the most importance on getting a
treasured copper it's not hard to give him that copper, but when the soul
cherishes the seed of an ardent plant--a miracle, make this miracle come
true for it if you can.
"This person's soul will change and yours will, too. When the chief
warden releases a prisoner of his own free will, when a billionaire gives
his scribe a villa, a chorus girl and a safe, and when a jockey holds back
his horse just once to let an unlucky horse pass him,-- then everyone will
understand how pleasant this is, how inexpressibly wonderful. But there are
miracles of no less magnitude: a smile, merriment, forgiveness and ... the
right word spoken opportunely. If one possesses this--one possesses all. As
for me, our beginning--Assol's and mine--will forever remain to us in a
crimson glow of sails, created by the depths of a heart that knows what love
is. Have you understood me?"
"Yes, Captain." Panten cleared his throat and wiped his moustache with
a neatly-folded, clean handkerchief. "I understand everything. You've
touched my heart. I'll go below and tell Nicks I'm sorry I cursed him for
sinking a pail yesterday. And I'll give him some tobacco--he lost his at
cards yesterday."
Before Gray, who was somewhat surprised at the quick practical effect
his words had had, was able to reply, Panten had clattered down the ladder
and heaved a sigh in the distance. Gray looked up over his shoulder; the
crimson sails billowed silently above him; the sun in their seams shone as a
purple mist. The Secret was heading out to sea, moving away from the shore.
There was no doubt in Gray's ringing soul -- no dull pounding of anxiety, no
bustle of small worries; as calmly as a sail was he straining towards a
heavenly goal, his mind full of those thoughts which forestall words.
The puffs of smoke of a naval cruiser appeared on the horizon. The
cruiser changed its course and, from a distance of half a mile, raised the
signal that stood for "lie to".
"They won't shell us, boys," Gray said. "Don't worry! They simply can't
believe their eyes."

He gave the order to lie to. Panten, shouting as if there were a fire,
brought the Secret out of the wind; the ship stopped, while a steam launch
manned by a crew and lieutenant in white gloves sped towards them from the
cruiser; the lieutenant, stepping aboard the ship, looked around in
amazement and followed Gray to his cabin, from which he emerged an hour
later, smiling as if he had just been promoted and, with an awkward wave of
his hand, headed back to his blue cruiser. This time Gray had apparently
been more successful than he had with the unsophisticated Panten, since the
cruiser, pausing shortly, blasted the horizon with a mighty salvo whose
swift bursts of smoke, ripping through the air in great, flashing balls,
furled away over the still waters. All day long there was an air of
half-festive bewilderment on board the cruiser; the mood was definitely not
official, it was one of awe -- under the sign of love, of which there was
talk everywhere,-- from the officers' mess to the engine room; the watch on
duty in the torpedo section asked a passing sailor:
"How'd you get married, Tom?"
"I caught her by the skirt when she tried to escape through the
window," Tom said and twirled his moustache proudly.

For some time after the Secret plied the empty sea, out of sight of the
shore; towards noon they sighted the distant shore. Gray lifted his
telescope and trained it on Kaperna. If not for a row of roofs, he would
have spotted Assol sitting over a book by the window in one of the houses.
She was reading; a small greenish beetle was crawling along the page,
stopping and rising up on its front legs, looking very independent and tame.
It had already been blown peevishly onto the window-sill twice, from whence
it had reappeared as trustingly and unafraid as if it had had something to
say. This time it managed to get nearly as far as the girl's hand which was
holding the corner of the page; here it got stuck on the word "look",
hesitated as if awaiting a new squall and, indeed, barely escaped trouble,
since Assol had already exclaimed: "Oh! That... silly bug!"--and was about
to blow the visitor right into the grass when a chance shifting of her eyes
from one rooftop to another revealed to her in the blue strip of sea at the
end of the street a white ship with crimson sails.

She started visibly, leaned back and froze; then she jumped up, her
heart sinking dizzily, and burst into uncontrollable tears of inspired
shock. Meanwhile, the Secret was rounding a small cape, its port side
towards the shore; soft music wafted over the light-blue hollow, coming from
the white deck beneath the crimson silk; the music of a lilting melody
expressed not too successfully by the well-known words: "Fill, fill up your
glasses -- and let us drink to love...." In its simplicity, exulting,
excitement unfurled and rumbled.

Unmindful of how she had left the house, Assol ran towards the sea,
caught up by the irresistible wind of events; she stopped at the very first
corner, nearly bereft of strength; her knees buckled, her breath came in
gasps and consciousness hung by a thread. Beside herself from fear of losing
her determination, she stamped her foot and ran on. Every now and then a
roof or a fence would hide the crimson sails from view; then, fearful lest
they had disappeared like some ordinary mirage, she would hurry to pass the
tormenting obstacle and, sighting the ship once again, would stop to heave a
sigh of relief.

Assol sees the Scarlet Sails! From Scarlet Sails film, 1961

Meanwhile, there was such commotion, such an uproar and such excitement in Kaperna as was comparable to the effect of the famous earthquakes. Never before had a large ship approached this shore; the ship had the very same sails whose colour sounded like a taunt; now they were blazing brightly and incontestably with the innocence of a fact that refutes all the laws of being and common sense. Men, women and children were racing helter-skelter towards the shore; the inhabitants shouted to each other over their fences, bumped into each other, howled and tumbled; soon a crowd had gathered at the water's edge, and into the crowd Assol rushed.

As long as she was not there her name was tossed around with a nervous
and sullen tenseness, with hateful fear. The men did most of the talking;
the thunderstruck women sobbed in a choked, snake-like hissing, but if one
did begin to rattle -- the poison rose to her head. The moment Assol
appeared everyone became silent, everyone moved away from her in fear,
and she remained alone on the empty stretch of hot sand, at a loss, shamed
and happy, with a face no less crimson than her miracle, helplessly
stretching her hands towards the tall ship.

A rowboat manned by bronzed oarsmen detached itself from the ship;
among them stood he whom she now felt she had known, had dimly recalled
since childhood. He was looking at her with a smile which warmed and
beckoned. But thousands of last-stand, silly fears gripped Assol; deathly
afraid of everything--an error, misunderstanding, some mysterious or evil
hindrance -- she plunged waist-deep into the warm undulation of the waves,
shouting: "I'm here, I'm here! It's me!"

Then Zimmer raised his bow -- and the very same melody struck the
nerves of the crowd, but this time it was a full-voiced, triumphant choir.
From excitement, the motion of the clouds and waves, the glitter of the
water and the distance the girl was hardly able to discern what was moving:
she herself, the ship or the rowboat,--everything was moving, spinning and
falling.

But an oar slashed the water next to her; she raised her head. Gray
bent down, and her hands gripped his belt.
Assol shut her eyes tight; then she opened them quickly, smiled boldly
into his beaming face and said breathlessly:

"Just as I imagined you."
"And you, too, my dear!" Gray said, lifting his wet treasure from the
water. "I've come at last. Do you recognize me?"
She nodded, holding onto his belt, trembling with a reborn soul and
eyes shut quiveringly tight. Happiness was as a soft kitten curled up inside
of her. When Assol decided to open her eyes the rocking of the rowboat, the
sparkle of the waves, the huge, approaching, moving side of the Secret--all
was a dream, where the light and the water bobbed and spun like sun-sports
cavorting on a sunshine-streaked wall. She did not remember how she was
carried up the gangplank in Gray's strong arms. The deck, covered and draped
with rugs, engulfed by the crimson splashing of the sails, was like a
heavenly garden. And soon Assol saw that she was in a cabin--in a room than
which nothing could be better.

Then from above, rending and absorbing the heart in its triumphant cry,
once again the thunderous music crashed. Once again Assol shut her eyes,
fearful lest all this disappear if she were to look. Gray took her hands
and, knowing now where safety lay, she buried her tear-stained face on the
breast of her beloved, who had appeared so miraculously. Gently, but with a
smile, for he, too, was overwhelmed and amazed by the coming of the
inexpressible, precious minute, inaccessible to anyone else, Gray tilted up
this face that had haunted him for so long, and the eyes of the girl finally
opened wide. All that was best in a person was in them.
"Will you take my Longren with us?" she said.
"Yes." And he kissed her so passionately after saying this firm "yes"
that she laughed delightedly.

We shall leave them now, knowing that they should be alone. There are
many words in the many languages and dialects of the world, but none of them
can even faintly convey that which they said to each other that day.
Meanwhile, up on deck, by the mainmast the entire crew waited at the
worm-eaten cask with the top knocked off to reveal the hundred-year old dark
magnificence. Atwood stood by; Panten sat as primly blissful as a newborn
babe. Gray came up on deck, signalled to the orchestra and, removing his
cap, was the first to dip a glass, to the accompaniment of the golden horns,
into the sacred wine.

"There..." he said, when he had drunk and then tossed down his glass.
"Now drink. Everybody, drink! Anyone who doesn't drink is my enemy."
He did not have to repeat his words. As the Secret proceeded at full
speed, under full sail, away from Kaperna, which had been struck dumb
forever, the jostling around the cask was greater than anything in this
manner that occurs at great fetes.

"How did you like it?" Gray asked Letika.
"Captain," the sailor said, searching for the right words, "I don't
know whether it liked me, but I'll have to think over my impressions.
Beehive and orchard!"

"What?"

"I mean it's like having a beehive and an orchard put into my mouth. Be
happy, Captain. And may she whom I will call 'the best cargo', the Secrefs
best prize, be happy, too!"

When dawn broke the following morning the ship was far from Kaperna.
Part of the crew were asleep where they had stretched out on deck, overcome
by Gray's wine; only the helmsman, the watch and a thoughtful and tipsy
Zimmer who sat near the prow with his chin resting on the finger-board of
his cello were up. He sat there, drawing his bow across the strings softly,
making them speak in a magic, heavenly voice, and was thinking of happiness.

Assol and Captain Gray together, from Scarlet Sails film, 1961

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